This is the first time all aspects of his life have been drawn together. I have had the pleasure of interviewing a number of friends and colleagues from every aspect of Anthony's life, and examined the archives to bring together the most complete and fascinating story.

In The Keeper of Traken Geoffrey Beevers and Anthony Ainley both play the Master; name another television series in which both actors are credited together.

Terry Nation - The Man Who Invented The Daleks
The Biography
Written by Alwyn W. Turner
Narrated by David Troughton

The Daleks are one of the most iconic and fearsome creations in television history. Since their first appearance in 1963, they have simultaneously fascinated and terrified generations of children, their instant success ensuring, and sometimes eclipsing, that of Doctor Who.

They sprang from the imagination of Terry Nation, a failed stand-up comic who became one of the most prolific writers for television that Britain has ever produced. Survivors, his vision of a post-apocalyptic England, so haunted audiences in the Seventies that the BBC revived it over thirty years on, and Blake’s 7, constantly rumoured for return, endures as a cult sci-fi classic. But it is for his genocidal pepperpots that Nation is most often remembered, and on the 50th anniversary of their creation they continue to top the Saturday-night ratings.

Yet while the Daleks brought him notoriety and riches, Nation played a much wider role in British broadcasting’s golden age. He wrote for Spike Milligan, Frankie Howerd and an increasingly troubled Tony Hancock, and as one of the key figures behind the adventure series of the Sixties – including The Avengers, The Saint and The Persuaders! – he turned the pulp classics of his boyhood into a major British export.

In The Man Who Invented the Daleks, acclaimed cultural historian Alwyn W. Turner, explores the curious and contested origins of Doctor Who's greatest villains, and sheds light on a strange world of ambitious young writers, producers and performers without whom British culture today would look very different.

Reader David Troughton is attending which forthcoming Fantom Films event in 2014?

K9 Stole My Trousers
An Autobiography

Bob Baker, co-writer of three Oscar and BAFTA winning Wallace & Gromit films, creator of K9, and writer of numerous Doctor Who episodes, releases his autobiography this June.

A stalwart of HTV, Bob has worked with Sir Laurence Olivier, Leonard Rossiter, Ron Moody, Toyah Willcox and Trevor Eve. Among his many TV credits, Bob wrote a number of episodes of Doctor Who with co-writer Dave Martin, several episodes of Bergerac starring John Nettles and the smash hit children's show, Into the Labyrinth; Bob also script edited the popular crime series Shoestring.

Bob is perhaps best known for his work with Nick Park on Aardman Animations' Oscar and BAFTA-winning shorts, The Wrong Trousers, A Close Shave and A Matter of Loaf and Death, and the feature film The Curse of the Wererabbit.

Among his recent work, Bob has just finished the first 26-part series of the regenerated K9, currently showing on the Disney Channel and Channel 5 and is gearing up for a second series in the coming year.

Bob’s life has been rich and varied; his adventures outside of his illustrious career range from a wine-tasting tour of France and mad sea voyages with the legendary Keith Floyd to playing jazz with John Fortune of Bremner, Bird and Fortune. K9 Stole My Trousers is a tribute to some of the finest talents in TV in the last fifty years, both people Bob worked with and people he considered himself lucky to know in his personal life.

We want to make this book the ultimate celebration of a wonderful person who we so sorely miss. We are presenting the entirety of her writings together with tributes and anecdotes from Mary's closest friends and colleagues.

We are thrilled to bring this autobiography to a new generation. The book has been out of print for over twenty-six years. We will retain all the original content, whilst adding new material including photographs and an introduction from Ingeborg Pertwee.

Jon Pertwee’s acting career began with a public performance at the age of four. He seems to have been expelled from most of the schools his actorwriter father Roland Pertwee sent him to and finally joined RADA in 1936.

From there too, he was asked to leave. Jon went into Rep and had a checkered career. In Brighton panic set in when he dressed as an old gardener in Love from a Stranger instead of as a young cleric in Candida.

In 1938 came Jon’s first radio role in the BBC’s Lillibulero, in which year he also appeared in his father’s play, To Kill a Cat, directed by Henry Kendall at the Aldwych Theatre. When war came he joined the Navy, ramming Douglas Pier with an Isle of Man Stream Packet boat. He was blown up twice, once being put on a marble slab presumed dead, and spent many months stationed in the Scapa Flow. He was the founder of the Service Players in the Isle of Man. He was commissioned in the RNVR and transferred to Naval Intelligence where he worked and became good friends with the future Prime Minister James Callaghan. Then Jon joined Naval Broadcasting. His radio series, The Navy Lark, ran for eighteen years and produced some truly vintage memories of radio.

Whether telling stories of a misspent youth, of his posterior’s first painful introduction to a fives bat or his exploits with the McKenzie sisters in the north of Scotland, Jon Pertwee's humour and natural wit never fail him. Moon Boots and Dinner Suits is a wry, funny and endearing portrait of the early years of a most innovative and well-loved actor.

Respected and loved, Patrick Troughton is probably best remembered as the second Doctor Who - a role in which he made television history. A prolific actor, he was also a complex and troubled man, constantly wrestling with two lives, one of which he was determined to keep secret.

Michael Troughton presents here an entertaining and personal account of his father’s professional and private life. Meticulously researched, he explores Patrick’s childhood, his experiences at sea during World War II and the successful acting career which led to his historic casting as Doctor Who in 1966. Patrick’s Doctor Who years are recalled in vivid detail, from his initial uncertainty about taking on the part through the legendary ‘monster years’, to his troubled final season and three subsequent returns to the role.

In this fascinating biography, Patrick’s extraordinary career and his multi-layered personal life are enhanced by the memories of family members, actors, friends and colleagues. Michael peppers the biography with revealing extracts from Patrick’s own diaries, and presents an honest, affectionate and complete account of Patrick Troughton the actor, and Patrick Troughton the man.

When Elisabeth Sladen first appeared as plucky journalist Sarah Jane Smith in the 1973 Doctor Who story The Time Warrior, little did she know the character would become one of the most enduring and fondly remembered of the series' long history.

The years that followed saw Elisabeth traverse time and space alongside classic Doctors Jon Pertwee and Tom Baker, while a generation of children crouched behind the sofa, terrified but transfixed as their tea-time heroine found herself menaced by Daleks, dinosaurs, Cybermen, Egyptian mummies, actors in green bubble-wrap and even the Loch Ness Monster. By the time she quit the TARDIS in 1976, making front-page news, Elisabeth had become one of the most familiar faces of a TV golden age.

But you don't just walk away from Doctor Who. Elisabeth was asked to reprise her role many times, appearing in anniversary specials, an ill-fated 1981 spin-off with robotic sidekick K-9, radio plays, and for the BBC's Children in Need. She toured the weird, wide and wonderful world of Doctor Who fandom and became one of the series' all-time favourite companions. So when TV wunderkind Russell T Davies approached her to come back again, this time to a show backed by multi-million-pound budgets and garlanded with critical plaudits, how could she refuse?

This warm and witty autobiography, completed only months before Elisabeth died in April 2011, tells her remarkable story, from humble beginnings in post-war Liverpool, through an acclaimed theatrical career working alongside stage luminaries such as Alan Ayckbourn, to Coronation Street, Some Mothers Do 'Ave 'Em and the furthest reaches of the universe.

A unique insider's view of the world's longest-running science fiction series, and of British television yesterday and today, Elisabeth's memoir is funny, ridiculous, insightful and entertaining, and a fitting tribute to a woman who will be sadly missed by millions.