In these trying times, we all need something to focus on, to keep us all sane. For a lot of people that’s writing. So it’s seems the perfect time to run another competition, give people something to aim for; a chance to write something for potential publication.

This time we’re opting for a theme, something to combat the doom and gloom that threatens to overtake us all at the moment. And that theme is The Perfect Day. The challenge is, what can you do with such a theme? What kind of story does it suggest to you? How would such a story work for our characters (the Brigadier, Anne, Bill, Lucy, Hobo, etc)? And, like in the previous entries, everyone is free to use any original character from both the Lethbridge-Stewart and Lucy Wilson Mysteries ranges, plus our licenced characters. But, and I can’t stress this enough, not characters owned by the BBC or any other creator, without express permission (proof will be required).

Our two previous winners are Sean Alexander and Megan Fizell, and we look forward to publishing their new Lethbridge-Stewart stories very soon (subject to world events, of course).

Submission guidelines for the Lethbridge-Stewart South Wales Short Story Competition:

• Maximum of 3000 words.
• You must include your name in the document, along with the title.
• Word (or Word compatible) files only. We do not accept PDF submissions.
• This competition is open to anybody, whether you’re a fan of Doctor Who and Lethbridge-Stewart or not. We’re looking for stories that utilise any character from the Lethbridge-Stewart and The Lucy Wilson Mysteries range of books (list of Lethbridge-Stewart characters here: http://www.lethbridge-stewart.co.uk/characters/). It is not necessary to fit within the timeline; these stories are out of the canon of the series, so feel free to let your imagination run wild!
• A selection of free short stories will be sent to any applicant on request, should you need to see our characters in action.
• Our license is with the Haisman Literary Estate only, therefore you CAN use any character from the Doctor Who serials The Abominable Snowmen, The Web of Fear and The Dominators, or any original character found Candy Jar Books’ Lethbridge-Stewart and The Lucy Wilson Mysteries series (except characters from Doctor Who that appeared in the ranges under express permission).
• You can NOT use any other Doctor Who characters or monsters. (Unless you have proof of permission from the creator of the chosen monster/character.)
• You can NOT use UNIT or any associated characters.
• Any entries that feature a Doctor Who character not owned by the Haisman Literary Estate (and without express permission) will be instantly disqualified, with no refund.

Jonathan Macno is an exciting new talent from Cardiff. In 2014, at the age of 19, he was a runner-up in our second South Wales Short Story competition and was featured in the accompanying book Breaking the Surface. After that, in 2016, Jonathan wrote the Lethbridge-Stewart short story The Two Brigadiers. This was well-received by our fans, so I contacted him immediately and asked him to write for the Lucy Wilson series.

When I first submitted work to the South Wales Short Story Competition back in 2014, which feels like forever ago, I had no idea all the brilliant opportunities that would follow. Telling a story in Lucy’s world is a privilege I’ve been working towards for a while and it’s thrilling to see the book, my first published novel, come together. The whole thing is surreal in the best possible way. The Serpent’s Tongue is special to me for a lot of reasons. I was given plenty of free reign and support from Shaun and everyone at Candy Jar, so I used the world of Doctor Who to give a platform to that most underrepresented of writers: William Shakespeare.

School kids can struggle with Shakespeare because of the way he’s often dropped on them without context, humour or fun, and that means they miss out on some wonderful worlds. I still remember the first Shakespeare I saw, a brilliant production of A Midsummer Night’s Dream my parents dragged me to that changed my life, no doubt about it. Lucy herself isn’t the Bard’s biggest fan, so this book is me trying to get her on board, and hopefully some of the readers too.

Jonathan Macno is an exciting new talent from Cardiff. In 2014, at the age of 19, he was a runner-up in our second South Wales Short Story competition and was featured in the accompanying book Breaking the Surface. After that, in 2016, Jonathan wrote the Lethbridge-Stewart short story The Two Brigadiers. This was well-received by our fans, so I contacted him immediately and asked him to write for the Lucy Wilson series.

When I first submitted work to the South Wales Short Story Competition back in 2014, which feels like forever ago, I had no idea all the brilliant opportunities that would follow. Telling a story in Lucy’s world is a privilege I’ve been working towards for a while and it’s thrilling to see the book, my first published novel, come together. The whole thing is surreal in the best possible way. The Serpent’s Tongue is special to me for a lot of reasons. I was given plenty of free reign and support from Shaun and everyone at Candy Jar, so I used the world of Doctor Who to give a platform to that most underrepresented of writers: William Shakespeare.

School kids can struggle with Shakespeare because of the way he’s often dropped on them without context, humour or fun, and that means they miss out on some wonderful worlds. I still remember the first Shakespeare I saw, a brilliant production of A Midsummer Night’s Dream my parents dragged me to that changed my life, no doubt about it. Lucy herself isn’t the Bard’s biggest fan, so this book is me trying to get her on board, and hopefully some of the readers too.

Jonathan Macno is an exciting new talent from Cardiff. In 2014, at the age of 19, he was a runner-up in our second South Wales Short Story competition and was featured in the accompanying book Breaking the Surface. After that, in 2016, Jonathan wrote the Lethbridge-Stewart short story The Two Brigadiers. This was well-received by our fans, so I contacted him immediately and asked him to write for the Lucy Wilson series.

When I first submitted work to the South Wales Short Story Competition back in 2014, which feels like forever ago, I had no idea all the brilliant opportunities that would follow. Telling a story in Lucy’s world is a privilege I’ve been working towards for a while and it’s thrilling to see the book, my first published novel, come together. The whole thing is surreal in the best possible way. The Serpent’s Tongue is special to me for a lot of reasons. I was given plenty of free reign and support from Shaun and everyone at Candy Jar, so I used the world of Doctor Who to give a platform to that most underrepresented of writers: William Shakespeare.

School kids can struggle with Shakespeare because of the way he’s often dropped on them without context, humour or fun, and that means they miss out on some wonderful worlds. I still remember the first Shakespeare I saw, a brilliant production of A Midsummer Night’s Dream my parents dragged me to that changed my life, no doubt about it. Lucy herself isn’t the Bard’s biggest fan, so this book is me trying to get her on board, and hopefully some of the readers too.

Hello! We’re living through some strange times right now.

With people staying home, and families stuck together, I thought maybe a few little presents from Doctor Who might help. Something to read, together or alone. New treats, from the people who make Doctor Who.

We’ll try and post things here once or twice a week. Tomorrow, we’ll have a never-before-published piece written by Russell T Davies.

To start us off, I’ve written a few words about what went through the Thirteenth Doctor’s head, immediately after she regenerated and was thrown out her TARDIS.

Stay safe.
Chris x

The show must go on... Unfortunately, due to the social distancing measures advised by the government we have had to postpone a couple of events, however the moment has been prepared for!

It is important to stay together and socialise as a community – and this platform will allow us to come together and experience rarely seen and new material, interacting with each other through live hosted segments.