Did you ever think you saw something, just out of the corner of your eye? It happens to me all the time and it freaks me out quite a bit. So, when I got the chance to add my own monster to the Lucy Wilson universe, I knew it had to be a monster that you couldn't always see. I also wanted it to be a clown because, if there's something that freaks me out more than things I can't see, then it's something I can see – clowns. Of course, that's not all I added – there are plenty of other surprises in there that I hope people will really enjoy. It's been great fun adding my own strange and spooky elements to Lucy's world and I hope to be back very, very soon.

We’ve had such good feedback for this book. Reviews have been encouraging and fans seemed to have embraced Lucy and Hobo. Moreover, we’ve also had a positive response from the general public. We’ve been trialling Avatars of the Intelligence with 1300 school children and the initial feedback has been very promising. In particular, we’ve had high praise for Steve Beckett’s cover design and, consequently, Curse of the Mirror Clowns has another fantastic piece of artwork by the talented Beano artist.

We’ve been pondering doing a collection like this for some time, but it never seemed to be the right time. But with the impending fiftieth anniversary of the first appearance of the Brig in Doctor Who, combined with the recent appearance of the Brigadier’s grandfather in Twice Upon a Time, and the positive response that garnered, it seemed that the time was, finally, now.

I love exploring the Brigadier’s lineage, be it his immediate family in the shape of his mother and father, or his descendents, in the shape of his son and grandchildren. But I’ve always wanted to go deeper, to look at some other Lethbridge-Stewarts, or indeed Stewarts and Lethbridges, to find out what kind of impact they had on the world. Sometimes that impact can be huge, and sometimes it can be the smallest thing that has the biggest repercussions. With this collection, we get to explore some of the lesser known ancestors, and introduce some never even mentioned before. And, of course, we get to visit the rising star that is Lucy Wilson, the Brigader’s adventuring grandaughter!

We are delighted popular Doctor Who author Richard Dinnick is contributing a story to the Lethbridge-Stewart Lineage collection, tentatively called The Soothsayer and set in 1603. Richard's first piece of professional fiction was produced by Big Finish in 2005, a short story called Neptune, the first of a two-part story, the second of which was written by our range editor, Andy Frankham-Allen. This was followed by a co-authored audio script, also with Andy, for the Space 1889 series, The Lunar Inheritance. He has since gone on to write countless Doctor Who stories for Big Finish, BBC Books and Titan comics. And plenty of non-Doctor Who stuff too!

This story plays with family secrets, adding further depth to the Lethbridge-Stewart legacy. So, now we have a story set in 1917 that sets up the secret from 1902, and a story set in 1945 which reveals what really did, or did not, happen.

Andy didn’t leave me with a choice. He’s always dragging me into things. I want to say he ‘invited’ me, but he was very adamantant that I’d write for the series. Which is a compliment, and Andy has a way about him, so one day I just emailed a first draft of the manuscript to him without any warning.

It did come out of the blue, but it was a nice surprise. So, I had the book in my files for almost a year before I found a suitable place for it, and then it all came down to finding a way to make it fit the ongoing narrative, tweaking it here and there, and suggestion a few changes to Sharon. In fairness, beyond series continuity, there wasn’t much to do. Sharon has always had a good grasp of story, and knows how to mix good character work with layers of meaning and emotional resonance.

I'm not a writer who consciously considers theme in a first draft. It's something that presents itself to me sometimes as much as three-quarters into a preliminary version. It's hard to choose a defining one in this book. The book questions the keeping of secrets, outmoded beliefs, what can happen if people never question their convictions. I also wanted to explore human behaviour in a macabre setting. The dictionary defines macabre as: disturbing and horrifying because of involvement with or depiction of death and injury. It seems to fit. One thing I was certain I wanted to incorporate was Edison's talking dolls. The problem I stumbled into was the 'why'. I know I wanted to use the doll but a writer cannot simply use a great idea if it doesn't fit the story. I not only constructed an answer, I formulated one that provided me with a well-rounded end to the book.

This book has a touch of The Daemons about it, in regards the atmosphere it creates. Perfect reading for a night in front of the fire, with a storm raging outside. It gave me the creeps in places, and I don’t even have a fire to read in front of!

I've always wanted to do a cover for a horror type novel. I love the old Hammer horror films so I wanted to do something in that vein… with my own twist.

When I first came up with the idea for The Lost Skin, or When Harry Met Larry as I called it then, I didn’t even tell Shaun (Russell, Candy Jar head of publishing) about it, intending to simply write it without worrying about a deadline, and then let him know it existed. But when it became clear that The HAVOC Files 2 was under length I mentioned the novella, and Shaun suggested we seralise it. I was a little cautious, but decided to go for it. Sadly, when I was trying to work on part three, a few things occurred in my personal life which brought on the horrid return of depression and I just knew there was no way I could complete The Lost Skin in such a piecemeal way.

Obviously the mental wellbeing of my authors, and in this case range editor, is important so I told Andy to just stop, focus on something that would help him straighten out his mind again. Which he did. Later the topic of The Lost Skin came up again, and we decided maybe it would be better to finish it as the novella Andy had intended it to be.

This suited me better, and as I was in the process of ‘clearing the decks’ mentally, I decided that not only would I finish The Lost Skin, I would add material to the first two parts so that the novella version would contain a good fifty percent new material. This way, not only do I tell the story properly, but the readers will get enough new material that, for those who read parts one and two, they will feel like they’re almost reading a new book.

Larry Greene was never meant to be. He was designed as a replacement for Harold Chorley in The Schizoid Earth, as Chorley’s appearance in that book contradicted the events of the then-forthcoming novel, Mutually Assured Domination. That’s the real world reason why they seem so similar. But in the fiction, there needed to be a reason for this similarity, and so I came up with a back-story, one I never revealed to anybody, although hints have been given in the Lethbridge-Stewart novels over the last few years. So, one of the main goals of The Lost Skin is to finally bring Harold and Larry together (and throw our other journalist, Charlie Redfern, into the mix) and explain their back-story.

All our artists have their own particular approach and we love them because of this. However, I really wanted Adrian’s stark style for this cover. It really sums up the emotional isolation I’m trying to depict in the book.

I love a good symbolic cover, and this was the perfect opportunity by showing Samson examining the empty skin representing the mystery of the Selkie that gives title to Andy's book.

This novella serves as a kind of back door pilot for a possible series. It’s all dependent on the reception the book receives, and whether or not there is enough interest in an occasional series with Travers and Wells at the helm. The original plan was for me to write a sequel to The War of the Worlds, but then word reached me of the Stephen Baxter sequel and it was clear that we’d not be able to compete with that, so, not wanting to waste all the research and notes, I hit upon the idea of turning the story into an alternative take on the classic novel, and utilising the Doctor Who connection with Wells that Glen McCoy created for his 1985 serial, Timelash. And so we worked out an arrangement with Glen and set the potential series up with, first, the end of Times Squared, and then a short story called Time and Again.

When Andy and I were chatting on Skype about the upcoming novellas it suddenly dawned on him we could set up the range with a prequel short story. I immediately said yes and then knuckled down to getting the ideas, themes and plot straight. I didn’t want the story to be a direct sequel to Timelash, but I did want to take elements from that story as a way of looking at how those who assume authority after toppling a dictatorship can end up aping some of the actions of those overthrown.

I jumped at the chance to write this first story in the series. After I sent off the email saying yes, it suddenly hit me that I would be dealing with one of science fiction’s foundational texts. Some days later, when the shock had worn off, I began my research. Of course re-reading The War of the Worlds was a must, but also an early Wells short story called The Crystal Egg as it related in part to the story I was crafting. Jeff Wayne’s The War of the Worlds also helped inspire me, especially during some of the very late night writing sessions.

In writing the novella I drew inspiration from images of the Blitz – particularly St Paul’s wreathed in smoke. Given the events I describe in my story, it seemed appropriate that I pay homage to another, more terrible invasion. There are also hints and nods to Wells’ other works, and I weave in real world events from the period the original was written in, as I find that approach adds flavour to the reading experience. Andy was a great sounding board in helping the plot come together, and his editing skills and input helped shape the novella.

I was over the moon to be doing the cover for Travers & Wells. I treated this slightly differently than the previous two novellas, in that I wanted something that would had a film poster quality to it. In fact there is a version of the artwork knocking around that has been put together as if it was a film poster.

With the fiftieth anniversary approaching we wanted to do something special for the fans. This website collects together everything you need to know about the Brigadier and we plan to add much more content as the months roll by.

Creating a website for Candy Jar is one of the most enjoyable projects I have ever been involved with. There are so many different elements to the site. It’s something you can easily get lost in and thoroughly enjoy exploring.

With the fifth Lethbridge-Stewart season due soon, Richard has managed to create a website which celebrates our beloved Brigadier. The site contains interviews, forums, and never-before-seen material, and the chance to sign up to a newsletter and download a variety of free stories.

Since we launched the books we’ve had lots of questions and comments from fans about the Brigadier’s time in Doctor Who, as well as our novels. We wanted this site to keep readers completely up-to-date with every aspect of the series, explore the mythology of the Brig, and act as a news portal for new releases.

Adrian Sherlock first came to my attention via John Peel, and when Shaun and I discussed the idea of sending the team to Australia, it seemed common sense to have an Australian write the novel.

That was an idea I warmed to immediately, having always wanted to see Australia more connected with world of science fiction. Australia’s an amazing country, with many exotic and fascinating wonders, so it was a lot of fun to include them in the narrative.

The New Unusual takes its title from a favourite line of dialogue spoken by the Doctor in the opening episode of the Doctor Who serial, The Mind of Evil. He states that the purpose of the Brigadier's team is to investigate new and unusual menaces. When Andy first gave me the chance to pitch an idea for the novel, I knew I had to tap into the spirit of the times and that meant a fad or a craze, something the kids were into. Furthermore, I knew there had to be a hint of the mind-bending surrealism of the time, which reflected some of the experimentation with drugs such as LSD. But it had to have an explanation that was right for the world of Lethbridge-Stewart, something unearthly and threatening.

Anne continues to be a popular character, easily strong enough to lead a book on her own. When planning these books out we like to keep a balance between our two lead characters, and this year we’ve already had two Brig-centric novels and one Anne. This marks Anne’s second major plotline this year, as she continues to deal with the fallout of her father’s death and what effect it has on her place in the world.

I had the idea that Anne knows there is a menace and becomes increasingly determined to uncover it. But in any good story, the main characters encounter opposition when they pursue their goals. It seemed to me that Anne might do what she has to do to succeed, overcoming opposition, yet feeling increasingly that she is unhappy with herself. A crisis comes when any one of us betrays our own values in order to achieve an end. I was fascinated by the notion that she might not like who she is becoming, if she goes too far and leads her friends into too much peril.

And with Lethbridge-Stewart, the story offered a good opportunity to present him as a man in total contrast to the youth of the time and their willingness to seek that which is ‘new and unusual’. I knew that he had to go beyond simple soldiering and face real threats and the possibility of his own death. I knew he had to see himself, to learn a little something about himself, in this adventure into the unknown.

I knew my wife would kill me if I didn't draw the cover. She's a tough Aussie gal and when I found out The New Unusual was set in Australia, I asked to be the artist to bring Old Tom, Anne and Bill in all their grooviness to life!

It's the early 1970s, a time of change, a time of turmoil, a time of surrealism, LSD and the Age of Aquarius, a time of fads, Moon landings and wars, and the young people of the world are seeking something new - and unusual!

For Anne Travers, an encounter with a so-called 'dream egg' is just the beginning of a long nightmare. Her scientific curiosity aroused, Anne begins to probe the secret underground scene known as 'dream-ins', where students and others meet to get involved with a new craze and, perhaps, something far more alien to human experience.

And for Brigadier Lethbridge-Stewart, who finds himself drawn into Anne's investigations, this probe will lead him and the Fifth Operational Corps to the wilderness of the Australian Outback, to a little opal mining town called Coober Pedy and a search for answers.

The New Unusual includes a revised ‘exclusive’ version of The Playing Dead short story.

In tribute to the 50th anniversary of BBC Radio 1, Candy Jar Books has announced a Kindle-only short story, ’48 Crash by Mark Carton.

This weekend sees the BBC celebrate with a three-day “vintage” digital radio station, Radio 1 Vintage, with 50 one-hour themed shows compiled from Radio 1 archive material, featuring DJs from across its entire history. To coincide, the story ’48 Crash will be available to buy from Amazon Kindle over the same period.

Shaun Russell, head of publishing at Candy Jar Books, said:

Mark Carton has been an avid follower of the Lethbridge-Stewart range, and is the author of Candy Jar children’s novel The League of the Red-Nosed Gentlemen. He says:

A free PDF version of ’48 Crash will also be available to customers who purchase The Flaming Soldier from the Candy Jar website.

Range Editor Andy Frankham-Allen introduces the fifth series of books:

Series Five opens with The New Unusual by first-time novelist, Adrian Sherlock, who wrote the short story, The Playing Dead, in 2016. This tale sees our heroes being drawn to Australia after investigating strange goings-on at dream-ins, mysterious new age gatherings in which people explore their deepest desires through eggs of alien origin. This book features the return of Lethbridge-Stewart’s nephew, Owain.

A Very Private Haunting by Sharon Bidwell, who is no stranger to wrting novels, with quite a CV behind her, including the Lethbridge-Stewart short story, The Wishing Bazaar in 2016. This books sees Arthur Penrose finally take ownership of a Scottish manor house that’s been in his family for generations. There are many secrets in the house, but what connects them to the mysterious shadow creatrues that Lethbridge-Stewart and his men are investigating?

The series is wrapped off with The Man from Yesterday, by popular novelist Nick Walters, who returns with his much-anticipated second novel in the Lethbridge-Stewart series, following 2015’s Mutually Assured Domination. Here, Lethbridge-Stewart learns the truth behind his father’s disappearance at the end of World War II, when aliens arrive on Earth from a mysterious reigon of space known only as the Realm. This book features the return of Lethbridge-Stewart’s brother from another reality, James Gore, and his father, Air Commander Gordon Lethbridge-Stewart!

Head of Publishing Shaun Russell says: