How many episodes of Doctor Who have been broadcast on Christmas Day?

We’ve had such good feedback for the series of books. Reviews have been encouraging and fans seem to have embraced the series completely. As a small thank you for all of the support received, we wanted to release something completely unexpected in time for our readers to enjoy over the Christmas period.

As ever, real life drama intrudes on the creative process and when it became clear that I wouldn’t have the time to finish the collection, I decided to give two of my story ideas to two other authors, as well as use Sharon (Bidwell)’s short story sequel to A Very Private Haunting, as it fit the theme of the book. And that theme is, as the title suggests, tying up loose ends left over throughout the original run of the Lethbridge-Stewart range.

It’s a great little collection, with a nice mix of sci-fi, ghost stories, and some solid real-world drama. The Stories We Tell is a particularly touching tale, bringing as it does a parallel between the fictional life of Anne Travers and the real life of a Doctor Who fan who died in 2016 at the young age of only sixteen.

It was important to me that this book was dedicated to the family of Rhys Rubery, my young friend who died three years ago, and so Adrian did a wonderful little portrait of Rhys for the cover.

In his five decades as an illustrator, painter and conceptual artist, Chris Achilléos has four best-selling books of his art, Beauty and the Beast, Syrens, Medusa and Amazona. He worked with the likes of George Lucas, as well as producing the iconic promotional art for the cult film Heavy Metal. But it is probably his work for Doctor Who that is the most enduringly popular.

His covers for the official Target novelisations, which began in the early ‘70s, defined a generation’s image of the Doctor and his adventures – particularly after the show disappeared from British screens in the late ‘80s.

Lavishly detailed, with psychedelic overtones and an unapologetically pulpy sensibility, these covers perfectly captured the eccentric appeal of the classic series. To this day, Doctor Who luminaries tip their hat to the influence of Achilléos’ work. The opening of a 2016 exhibition of Target’s cover artwork at the Cartoon Museum, London, attracted the series’ then-showrunner Steven Moffat, as well as twelfth Doctor Peter Capaldi.

With the Doctor long back on our screens, and more popular than ever, it is perhaps surprising that Achilléos’ Whovian oeuvre (or Whoeuvre, if you will) has never been collected in one place.

Kklak: The Doctor Who Art of Chris Achilléos, an upcoming title from award-winning independent publisher Candy Jar Books, aims to address this. For the first time, it collects the entirety of Achilléos’ Doctor Who artwork in chronological order, along with commentary from Achilléos himself (as well as some fans) – presenting the definitive guide to his seminal work. The book also includes a small contribution from twelfth Doctor Peter Capaldi and a foreword from Achilléos’ long-time friend and collaborator, the late Terrance Dicks.

Achilléos explains his motivations for compiling the book:


As the home of the Lethbridge-Stewart series, one of only a handful of fully licensed Doctor Who ranges outside of the BBC, Candy Jar was the natural home for Achilléos’ new title. As Candy Jar’s head of publishing, Shaun Russell, explains:


Featuring every one of Achilléos’ Doctor Who designs, as well as never before seen material giving insight into his creative process, Kklak: the Doctor Who Art of Chris Achilléos is released in April 2020 by Candy Jar Books.

Some stories feel unfinished. When I wrote A Very Private Haunting, I left a few threads I was unsure I would ever pick up again. I already had the title of the book long figured out together with my basic idea when asked to write another novel in the range. My book, to once again feature Anne Travers, couldn't have come together more perfectly, though with consequences I never imagined at the beginning. The Shadowman features a returning character from A Very Private Haunting, which allowed me to play with someone who comes across as a thoroughly nasty character, though I see a greater depth to him. I'm a multi-genre writer, though I tend to gravitate back to what I call dark fiction, and there's definitely darkness in The Shadowman. I'm finishing some lighter projects at present intending to work on my first horror novel in the new year after completing some preliminary notes and research, so going through The Shadowman again recently has been very useful in that regard.

I take Sharon wherever I go. She’s worked with me on many projects now, so it was inevitable when I heard that Big Finish were looking for more female authors, that I would put her name forward. I’ve read her story, had some input, and it’s going to be a lot of fun for fans of Jo Grant and the Eleventh Doctor. In terms of The Shadowman, Sharon sent it to me some time ago, at which point it wasn’t part of any particular novel sequence, but rather a continuation of the ongoing narrative began in 2015. But once the Bloodlines concept was developed, it seemed to me that Sharon’s story was a perfect fit, with a few continuity tweaks here and there to place it in an alternative reality in which the events of A Very Private Haunting still happened – more or less as featured in that novel.

I’ve known Paul for thirty years. He’s a great artist with a flair for almost any style. He is particularly well-known for his beautifully illustrated trading cards and TV tie-in comic strips. When the opportunity for him to do a cover came up, I could think of no one better to tackle the Shadowman.

Joining the team at Candy Jar is quite literally a dream come true. I get to illustrate stories featuring much-loved characters from my childhood. I have the honour of seeing my work adorn the covers of some quite wonderful stories by a very talented team of writers, many of whose works line the bookshelves in my studio. I get to join a list of hugely talented artists I admire and who have been major influences on my life and work. But best of all, I get to finally work with my friend, something that's been long overdue.

With the cover to The Shadowman, I wanted to evoke the feeling of 1970s Doctor Who. I knew I wanted to homage the Pertwee years, so the illustration of Anne Travers was very much based on the character of Section Leader Shaw from Inferno, whilst the background should be instantly recognisable to any true Doctor Who fan. The Shadowman himself is actually straight out of one of my own nightmares and when Shaun described the character to me, I knew immediately how he should appear. I used pen and ink with a base wash of alcohol marker, embellished with coloured polychromous pencils and white ink for highlights. I then added lighting effects in Paint Shop Pro, which is my go-to software of choice. It's a relatively new style for me and something I'm still trying to perfect.

As with The Laughing Gnome sequence of novels, I came up with an arc in which to tell some non-chronological stories. Shaun and I wanted to highlight some of popular secondary characters, so I looked at which characters would make for a good mix. And, to add to the mix, which monsters had not used independently before. In this instance, the Quarks (baring some comics in the 1960s) always tend to appear alongside their masters the Dominators, so I thought it would be interesting to utilise them without the Dominators. And bearing in mind this first book is set in 1943, that presented the author with another challenge. How to use them without the Dominators, and in a time period long before they ever came to Earth. One other element I wanted to include, just so we had at least one Lethbridge-Stewart in the book, was to bring back the Brig’s uncle, Matthew, a character Gareth handled so well in his previous short story. I’m happy to say Gareth produced a great story that brings all these elements together, as well as honours the great men and women who served our nation during World War II.

I was thrilled when Andy asked me to write my first full length novel, and even more excited when I found out that I would be writing for Edward Travers, Eileen Le Croissette and the Fourth Operational Corps during the war. After all, an eccentric scientist, a confident young woman and a not completely trustworthy military are what the big old Doctor Who universe is all about if, like me, you started with the Pertwee repeats in the ‘90s. The story really began to come together best after Andy asked me to avoid anything that wasn't really known in contemporary literature and science of 1943. That led me down the path of some of the wonderful genre fiction that predated the 1950s, when we think science fiction started. A lot of that has influenced the book in its feel. It's been a blast writing it. Although a massive step up from the two short stories that I'd written for Candy Jar previously, it was a natural progression. I felt that I was combining the character work of Inheritance with the historical research that I did for The Great Magician (although I have to say, Sheffield's libraries have rather a better selection of Second World War material than information on Owain Glyndwr for some reason).

I’ve wanted to tackle the Quarks for a long time and knowing that the book is set in Sheffield during the Second World War, I felt that they should have an authentic wartime look. Added to this, I wanted to feature a different picture of Eileen. After a bit of research, Shaun found a wonderful photograph. I just hope people like what I have done.

The beautiful cover has really captured the feel of the book.

With eightieth anniversary of the start of the war, we felt that we really wanted to acknowledge the contribution the greatest generation made to all our lives. In 1941 Eileen signed the official secrets act, and wasn’t able to talk about her work in the top secret Filter Room. In 2017 she was featured in The Flaming Soldier and we’ve had so many requests to bring her back. So, here she is launching the new series of books, and this time round her contribution to this story will have major affect on Brigadier Lethbridge-Stewart’s life.

The Second World War is an era that has always fascinated me, including the bravery and steadfastness of those like Eileen Le Croissette (later Candy Jar author Eileen Younghusband). Setting it in the beautiful Peak District and also the nearby Sheffield steelworks gave me an opportunity to look into areas of the war effort that aren't always explored elsewhere, and the sacrifices made.

Last week the world of Doctor Who lost Terrance Dicks. To celebrate the life and career of ‘Uncle Terrance’ Candy Jar has released a free PDF, Terrance Dicks – A Tribute.

Terrance Dicks wrote thirty-five episodes of Doctor Who, including classics such as Horror of Fang Rock and The Five Doctors; he was script editor of the show for six years, overseeing the transition from Patrick Troughton and the entirety of the Jon Pertwee era; he wrote over sixty novelisations of Doctor Who stories; and all this is before even touching on his multiple stage, audio, and non-fiction productions, or his innumerable scripts and children’s books outside of the Who universe.

Wherever stories of the Doctor were being told, Terrance Dicks’ name was sure to be found, whether in the Target Books of the ’70s and ’80s, or the Virgin New Adventures and Big Finish productions throughout the ’90s and 2000s. Through the fallow years before Doctor Who’s return to screens, the fandom was kept alive in no small part to Terrance Dicks’ prodigious output.

He was an ever-present at conventions and on documentaries, a warm, witty and humble custodian of the show he had been so pivotal in developing. In the words of James Middleditch in Candy Jar’s free PDF: “The wisdom and twinkling joy with which he spoke about Doctor Who would… become fundamental to the experience of the series in the 1990s.”

Terrance Dicks – A Tribute is a collection of memories from the authors and artists who were inspired by Terrance’s work. This range of writers and artists – with Nick Walters, Chris Achilleos, Gary Russell, John Levene, John Peel and many more – is a testament to the depth of Terrance’s influence.

In Nick Walters’ own words:

And it’s not just writers who hold him dear. Shaun Russell, Candy Jar’s head of publishing, was motivated to compile this collection by his own debt to Terrance’s work:

The free PDF also includes artwork by Adrian Salmon, Terry Cooper and Paul Cowan.

There was always one question that bugged Bill Bishop, what turned Alistair Lethbridge-Stewart from a man interested in teaching to a career military hero? Using the power of the Laughing Gnome, Bill travels back to the 1950s to find out...

As a young man Alistair Lethbridge-Stewart never wanted to follow in his illustrious family military history, he just wanted to be a maths teacher. But then the Korean War broke out and he was called up for National Service. He soon met Spencer Pemberton – and his life was changed forever!

ONE WORLD, ONE LAST CHANCE:
AWARD-WINNNING AUTHOR ARRESTED

Sue Hampton, the award-winning author of Thinner Than Water (“enjoyable and fascinating” – Beverley Knight), Just for One Day (“terrific” – Michael Morpurgo) and Candy Jar Books’ first Lucy Wilson instalment, Avatars of the Intelligence, has been arrested.

On 15th April 2019, Sue peacefully occupied Waterloo Bridge, as part of Extinction Rebellion’s month of protest against the “criminal inactivity” of the government in the face of today’s climate crisis. Their cause is a popular one – its urgency couldn’t be greater, the science any clearer. And yet in April alone, over a thousand protestors were arrested.

The granddaughter of Brigadier Lethbridge-Stewart, Lucy Wilson is no stranger to radical action herself. And Sue’s short story sees her in the thick of the action – on the site, in fact, where Sue was herself arrested, Waterloo Bridge.

For figures such as Sue, the repercussions of a criminal record are potentially severe. A one-time primary school teacher, Sue has been a professional author for over a decade, and much of her time is spent touring schools giving talks to students across the country. Her theme, both in her work and her talks, is the importance of love and respect. As a long term sufferer of alopecia universalis, and an ambassador for Alopecia UK, it is a subject close to her heart.

Head of publishing at Candy Jar Books, Shaun Russell, explains why he thought it was important to give Sue this platform:
Editorial Coordinator in Candy Jar, Will Rees, says:

It was a real pleasure to be asked by Candy Jar to bring this hard-hitting story to life. The two Andrews (Frankham-Allen and Cartmel) have come up with a cracking story. I’m very much on board for doing some vastly different to Big Finish, taking the characters in a completely new direction. Hopefully those who love the Big Finish ranges will find something to love here, while people who have never experienced the Countermeasures Group at all, can come in and enjoy the thrill ride and get to know them for the first time!

I’ve always loved the characters Ben created for Remembrance, and it was a joy to write for Gilmore in my short story, The Dogs of War. In 2017 I had the pleasure of writing for the full team in a Big Finish adventure, and when the news hit that Big Finish were no longer producing an ongoing series of New Counter Measures (although they have since began producing occasional stories), I saw an opening to bring the team to prose and do something a little different with them. I wanted to take them in a different direction to Big Finish, and so I approached Andrew Cartmel, who remains great friends with Ben Aaronovitch. We quickly secured a deal with Ben, which saw Andrew coming on as executive consultant – meaning he’s involved in developing the stories and character arcs alongside me.

I’m proud of the work I did on Doctor Who, and in particular I’m enormously proud of Remembrance of the Daleks. Thanks to the brilliant writing of Ben Aaronovitch, and performances by a sterling cast, we managed to craft a story which I think stands with the finest in the history of the show and will continue to do so. And, speaking of continuing, it’s a pleasure to know that the characters from Remembrance are enjoying a healthy afterlife in the adventures of the Intrusion Countermeasures Group, now in the form of a new series of novels from Candy Jars books. I’m looking forward to it, and to working with Andy as a consultant on this series.