Media Guardian 100Bookmark and Share

Wednesday, 2 December 2015 - Reported by Marcus
Doctor Who showrunner Steven Moffat continues his steady rise up through the ranks of the Media Guardian's top 100 most powerful people in UK Media.

The writer and producer comes in at number 76 in this years chart, a rise of eight places from the 2014 list. Moffat entered the chart in 2011 as number 92.

The list, which has been running since 2001, attempts to quantify the people with the most influence over the British media and is complied by a team of judges drawn from across the industry.
Moffat took over the BBC’s Doctor Who from Russell T Davies six years ago. His reinvention with Mark Gatiss of Sherlock Holmes, starring Benedict Cumberbatch and Martin Freeman, will return for a Victorian special this Christmas. Moffat has said Doctor Who, which returned in its modern incarnation in 2005, has at least another five years in it, possibly many more. But Moffat, who introduced Peter Capaldi as the new doctor last year, has questioned the feasibility of the BBC’s ambition to have a big screen Doctor Who.
Other BBC personnel listed include the current controller of BBC One, Charlotte Moore, at number 21, and the current Chief Executive of the BBC, Director General Tony Hall at number 6.

The head of the BBC’s commercial arm, BBC Worldwide, Tim Davie, and the man ultimately responsible for selling Doctor Who around the world, was number 35.

Actor James Cordon, who played Craig Owens in Doctor Who, and who now hosts The Late Late Show on CBS, is at number 50

The top three places in the list are taken once more by the heads of Google, Facebook and Apple respectively, with Mark Zukerberg coming out top.




FILTER: - Steven Moffat

Radio Times CoverBookmark and Share

Saturday, 28 November 2015 - Reported by Chuck Foster
Radio Times (5-11 Dec 2015) (Credit: Radio Times)As mentioned earlier this week, the latest edition of the Radio Times to be published, 5-11 Dec 2015, features a festive Doctor Who front cover, an annual tradition from since the series returned in 2005!

This edition covers both the finale of the current series, Hell Bent, and looks forward to the
forthcoming Christmas Special, featuring a three page interview with Steven Moffat, during which he discusses his shyness, how to replace Jenna Coleman and also on taking inspiration from other writers:
Some things you see on TV are so bad, you think you shouldn’t write for a week in case you’re contaminated. In case it’s got into your head. The sheer rubbishness of the dialogue and story construction. You have to detox. But you read a script by Russell [T Davies] and suddenly everything makes sense in an immaculate, clean way.

Talking about his own eventual departure and on finding on a worthy succesor to run the show, Moffat said:
That's an issue I'm actively engaged in. Everything is difficult in Doctor Who, including leaving. I'd never leave it in the lurch because it means too much to me. Let's not pretend it's not a big problem. But there will be a solution.


The 'legendary' Christmas double edition of the Radio Times (19th Dec - 1 Jan), featuring the 'legendary' Doctor Who Christmas Special, is due to be published in London/Midlands on 5th December, and on general sale from 9th December.





FILTER: - Radio Times - Steven Moffat

Magician's Apprentice / Witch's Familiar Scripts OnlineBookmark and Share

Saturday, 7 November 2015 - Reported by Marcus

The first two scripts of the current series of Doctor Who have been made available online, courtesy of the BBC Writer's Room.

The Magician's Apprentice and The Witch's Familiar, both written by Steven Moffat, are available to download, as part of the BBC's commitment to support and develop writers across the whole of BBC drama, comedy and children's departments.

Link to writers room




FILTER: - Series 9/35 - Steven Moffat

Special Screening of The Magician's Apprentice at Lucca Comic and Games FestivalBookmark and Share

Thursday, 8 October 2015 - Reported by Chuck Foster
Lucca Comics and Games (Credit: Lucca Comics and Games)The premiere of Series Nine, The Magician's Apprentice, is to receive a special screening in Italy on Friday 30th October as part of the Lucca Comic and Games Festival. The episode, which will be dubbed into Italian, will be shown at 6:30pm at Cinema Astraat, and will be introduced by its writer, Steven Moffat.

The series' lead writer is at the event for the weekend, and will feature in a Q&A alongside fellow writer Jamie Mathieson in the San Romano auditorium at 9:00pm on Saturday, which will be hosted by comic writer Gabriella Cordone Lisiero. Fans will have the opportunity to ask questions about the writing process and how a Doctor Who script is turned from words on a page to the series seen on screen.

Tickets for both events are available on the festival website website (English version of the site here).


The series itself, also dubbed into Italian, is expected to be shown in the country within the next few months on RAI4; full details will be available via the This Week in Doctor Who website and on Facebook once known.




FILTER: - Italy - Series 9/35 - Special Events - Steven Moffat

Capaldi at Radio Times FestivalBookmark and Share

Saturday, 26 September 2015 - Reported by Marcus
Fans at the Radio Times Festival were treated to an extended Doctor Who session tonight, when the main star of the series, Peter Capaldi, having defeated Daleks and Cybermen, and conquered time, fell foul of the Friday night rush hour traffic on the M4, and arrived 30 minutes late for the session.

The actor had been filming all day at the Doctor Who studios in Cardiff, and had been whisked by car to London when he was greeted by a capacity audience in the main festival tent. The organisers extended the session to make sure the crowd had a full hour to enjoy a conversation with the Doctor.

The session was hosted by comedian and rabid Who fan Frank Skinner and also featured executive producers Steven Moffat and Brian Minchin. With last week's episode fresh in everybody's mind the trio discussed The Magician's Apprentice and Julian Bleach's impressive performance as Davros. You wait until you see the next episode said Moffat, He is amazing.

Peter Capaldi told of how some of the most surreal moments in filming the series came when acting with the Daleks. You rehearse with the guy who sits inside the Dalek, he said. His eyelevel is the same as a Daleks eyestalk, so you rehearse with him just standing there wriggling. I found it very funny.

Moffat denied an ancient fan rumour that there was a contractual duty to include the Daleks in each series of Doctor Who. My mother in law was Terry Nation's agent when he created the Daleks. Believe me there is no such clause in the contract.

One question that was met with a grimace from the Executive Producer came when Skinner asked about the plans for Series 10 and whether, contrary to rumour, there would be a full series of Doctor Who in 2016. Moffat seamed irritated by the question and said he wished people would concentrate on this series. We don't even know if the Doctor will survive until Christmas. Moffat did confirm he had signed up for series 10, but said that was only done 'very recently'.

The team discussed Jenna Coleman's departure from the series, which has been confirmed as taking place this year. Coleman had originally wanted to leave at the end of Series Eight, but had then decided to stay on for the Christmas special. It was on the World Tour that we ambushed her, said Capaldi, and persuaded her to stay for another season. I said it would be so much fun Moffat said he has no idea who the new companion will be.

All members of the team were adamant that they would not be able to produce more Doctor Who episodes per year. We started filming in January and we finish tomorrow, said Capaldi. The crew need a break. They are exhausted.

Peter Capaldi spoke of his costume and how he didn't want his doctor to have a specific costume, but more a look, in the same way Tom Baker's Doctor had a look. I loved his first season where he just grabbed some clothes and ran around looking like a tramp. He was asked about his recent comment that he didn't feel he had nailed the role in Series Eight. I don't think you ever really nail a role. Capaldi said he would happily be typecast as The Doctor. I don't mind being typecast as Doctor Who. I mean what's wrong with that? It's great, you know, if that's the stigma that's attached to you, how lucky you are.




FILTER: - Peter Capaldi - Steven Moffat

Series 9 interviewsBookmark and Share

Tuesday, 8 September 2015 - Reported by Harry Ward
The BBC have released interviews with the main cast of the 2015 series of Doctor Who; Peter Capaldi, Jenna Coleman, Michelle Gomez and executive producer, Steven Moffat.

Cast interviews

Doctor Who is back, how has the dynamic of the series changed since series 8?
Peter Capaldi returns with his second series as the Doctor - it’s the glory years of the Doctor and Clara. They’ve been through the angst, the Doctor has been through his fear of not being a good man, and Clara has been through her fear that this might not be the Doctor. They’re on equal footing with a new dynamic between them and are relishing the Universe. They’re linking hands and running towards a brand new world of epic adventure on a cinematic scale. They are clearly heroes and loving every minute!

How is the series different from last year?
It’s a big, mad and exciting series. You’ll be grinning a lot more and there’s more comedy mixed in with some of the darkest stuff we’ve done - the Doctor’s first big entrance sets the tone.

Why did you decide to reintroduce two-parters?
We’re doing bigger stories and two-parters allow you all those massive cliff hangers. Forty five minutes has served us incredibly well, but it’s time to change it up a bit, change the rhythm. It’s not just about being longer, sometimes it’s about going deeper. And you won’t always be quite sure whether you’re watching a two-parter or not - how much longer the jeopardy will last. We’re aiming to be unpredictable.

Tell us about the guest cast.
We have a vast array of guest cast this year that means we can build on the depth of stories and develop intrigue and backstories even further. We have the magnificent, insane and comedic Missy returning; young outstanding Maisie Williams taking up a new role, as her character challenges the Doctor in unexpected ways; and of course Osgood is brought back from the dead. The Doctor might be in for a surprise with her, this time he might not be able to trust his number one fan.

Did you have any challenges writing for the series?

We always like a new challenge on the show: bringing adventures set on dangerous alien planets; urban thrillers; underwater ghost stories; journeys that take us from Vikings to the end of time itself. We’re pushing the boundaries once again with the most experimental episode Doctor Who has ever made. I’ve written a one-hander for the Doctor, I can’t tell you too much about this, but it’s certainly unique and a big first for the show!
Coming back to film your second series, how has the atmosphere been on set?
It’s been lovely to be back and everything’s been very positive. I think everyone’s been happy to be on set in Cardiff and the scripts are very good and strong. Everyone’s become enthused with the spirit of adventure that runs through the scripts, it’s been exciting!

How are you feeling about this new series? What can viewers expect?
I think they’ll find a lot of thrills, lot of mystery, a reckless Doctor in pursuit of adventure. It’s very thrill aired, hopefully full of spectacle and adventure - it’s not a sitting back, domesticated, reflective series, it’s the Doctor and Clara roaring through time and space in search of thrills. So I think it’s great, it should be a fun watch for audiences at home.

Can you tell us about the opening episode?
The opening episode of the new series is fabulous - the story is going to take us across the Universe in to all types of dark, terrifying and funny places. It’s a particular epic one to start, with lots of old favourites, Missy and the Daleks are returning and particularly for those who are nostalgic with the Daleks of the 60s, there are some special surprises in store.

Has the TARDIS changed?
There’s been a few changed in the TARDIS. As we came to know my Doctor a little bit more, we needed to reflect that more in the environment that he lived in. I don’t think my Doctor fits in with the whole idea of Edwardian time traveller, there’s a kind of resurge of that in the look of the TARDIS as it was, so I wanted to make it a little sharper. There are a few more elegant, 60s, classic design things knocking around, as opposed to Edwardian or Victorian.

How has the dynamic changed between the Doctor and Clara since series 8?
I think the Doctor and Clara are really having a good time. They’ve had some conflicts and challenges, but generally if you can weather the storms, you often find that your relationship is much stronger. That’s certainly the case with the Doctor and Clara.

They’re very bonded, they’re like a little gang. The Doctor has realised that he’s 2,000 years old and life is short, he wants to enjoy himself and enjoy having Clara around. She’s very good at trying to help him. He’s still rather impatient with human beings, which some people take as being socially inept, but he just can’t be bothered with them, he has better things to do. But she helps him a lot more, she tries to improve his manners and social skills. But they are very deeply bonded. It’s a very curious relationship, it doesn’t really have an equivalent in television. It’s a non-romantic, but deeply bonded pairing which is strangely full of affection, more deeply felt than simple romantic relationships.

What is his relationship like with Missy in the opening episodes?
I wouldn’t say their relationship has changed since he saw her last. Missy’s role is slightly different, but you’ll have to wait and see!

With a wealth of different sets and filming days on locations, would you say they enhance the look and feel of the episodes?
I think the design of the show is always really, really important - it gives a great cinematic feel to the show. It expands it, makes it not simply domestic, but quite cosmic and big. It’s good to have spectacular sets and locations, because it adds more physical texture to the show and opens it up more, it’s all pretty cinematic.

Have you got any favourite moments from playing the Doctor?
For me, obviously to get to play the Doctor, the whole things is a delight. Some of my favourite moments are when we reveal something of the Doctor’s more alien nature. For instance, in Kill The Moon when he’s able to look into time and read it, and communicate that, I think that was fun to do.

What was it like to battle Daleks from the different decades in episode 2? Any favourites?
I don’t have a particular favourite, but I do like to see the little old ones, they’re very sweet as they’re quite small. But actually they’re still strangely brutal, nasty little pieces of work, but are rather handsome and classy. They were great fun and do what is expected of them, you get a whole group of them together in the opening episode. I think we had about 20 of them in the studio so that was very exciting. Once you had them all moving, it was very funny watching Hettie (Macdonald) directing them, because she was directing them like actors - ‘you’re getting upset at this moment, have a look at your friends’ - and they’d look at their friends and then she’d say - ‘you need to look nervous now’ - and they’d actually be able to convey nervousness - it was actually very, very clever. It was like being in a Dalek theme park, with a free ticket, so that was fun.
How are you feeling about this new series?
Really excited, a lot of the stories are self contained two-parters; it’s a lot more space-bound and it’s all about adventures and time travelling. The amazing benefit of doing them is not only do you get more time to explore the story, but also at the end of the first part you get to create a huge cliffhanger. Clara and the Doctor are united, they’re strong together and are just enjoying travelling and doing and seeing as much as possible. It’s very adrenaline-fuelled and full of reckless adventure, with them throwing themselves head first in to it.

Clara seems to be more determined and focused on time travelling, do you see that she’s moved on since the last series?
She’s cutting ties with earth more and more. Since losing Danny her perspective has changed on life and in a way she’s lost fear of her own mortality. When that happens there’s a sense of freedom - going into adventures there’s nothing holding her back. But as much fun as it is, it can be dangerous - I think there’s definitely something in that for Clara, in losing herself.

It seems like the Doctor and Clara are more alike than ever before, would you say that’s true?
There’s an ease between them, a shorthand, and she is becoming more and more like him. I think they’ve always been a lot more similar - perhaps other Doctors and companions have been. I think she quite wants to be like him, but the more time they spend together the more doctorly she’s getting, and more independent of him. There are quite a few stories in this series where you see us parting ways, where we’re covering different bases, and then you see us coming back together - they’re a proper team. I think they’ve been through so much together and they know each other so well that they’re entwined.

Working with guest cast in each block, how does the dynamic change on set for yourself and Peter?
The two of us are always behaving as stupidly as we do, and it’s been lovely having Michelle back, she’s always a laugh. Maisie is wonderful, I was a really big fan of hers before she came to Doctor Who, she fits right in so it’s been really great having her join us. One of the most wonderful things about the show is every episode feels so different, it feels like a whole new show in a way.

What has been your favourite episode from this series and why?
Episode 11 will be really unique and the Viking episode was so much fun to film. The scripts for episodes 7 and 8 are really strong, Peter Harness has done such a good job with those. They feel like quite different Doctor Who episodes - tense, very relevant, thought-provoking, and clever.

You have great looks this series - do you have any input in to what you wear?
My idea for Clara is very much a school teacher who rides a motor cycle, in a retro 60s style, but also sci-fi. The aim was to merge all those elements together for Clara’s look.

In episode 1 the Doctor is lost and you’re contacted by your greatest enemy Missy. How do Clara and Missy work together to save the Doctor without killing each other?
The peril that the Doctor’s in is so great that the only thing to do is to put differences aside and work together. I think in a way, Clara’s quite fascinated by Missy, but disgusted at the same time. That’s partly to do with how Michelle Gomez plays her, she’s so magnetic that you can’t help but like her, even though you’re supposed to hate her. It’s one of the really clever things she does. Clara and Missy actually end up getting on, but remembering they don’t like each other again.

Having two females that are very close to the Doctor is interesting for Clara to witness, because the Doctor and Missy are enemies, but they are also very ancient friends. They have a past and history that they cannot even touch upon, or even understand how you can like or be in love with somebody that has repeatedly tried to kill you throughout time and space.

I also think it’s interesting for Clara to operate under a female Time Lady, she’s so used to running with the Doctor that to be with a time lady is quite a new experience for her. Somebody who is so maniacal is quite fun. You think you’re safe and within 30 seconds you’re literally being pushed down a cliff.

You’ve done a few stunts in the series - can you tell us about them?
I’ve done a lot of hanging upside down this series! Upside down on a cliff in Tenerife was new, but surprising, it looks so easy but it’s not at all. It was tricky because we could only do it in minute spurts, filming the scenes. I also had a scene where I was hanging outside of the TARDIS too, so it seems to be one of my specialities this series.
You’ve re-joined the Doctor Who cast and reclaimed the role of Missy for series 9, what was it like being back on set?
It felt so good, especially as I thought it was all over for Missy at the end of series 8. But then of course she is The Master after all, so anything can happen, even dodging death. I'm still in a state of shock at actually being in a show I watched avidly as a child.

How did you feel when you were asked to return?
I was thrilled to be asked back, it's not every day one gets to travel through all of space and time. When they asked me I didn't have to think too hard about it, and I'd say yes again if it came to it. But nothing's a guarantee so I'm aware this year might be her last. But I sincerely hope not.

You appear in the opening episodes with Clara...

The dynamic between Missy and Clara takes on a whole new shape, and not one I had imagined. There is something not quite right about it that makes for slightly unnerving viewing. Missy gets bored very easily, you can imagine her and the Doctor in the classroom. She's using her intellect even then to cause mischief and disrupt.

Tell us about your relationship with Clara in these episodes
Our relationship shifts greatly from where we left off in the last series. Dare I say there might be a hint of respect there? Perhaps not quite respect. More a healthy dose of circumspect, from both I guess.

Shooting in a large cinematic location abroad in Tenerife, what did the location add to the scenes?
There’s a sense of opera about that strange volcanic landscape - grand and loud in its infinite vastness, which provided us with a perfect backdrop for our needs. It had a harsh but strange beauty, almost lunar. Which was kind of the point.

Tell us about your relationship with the Doctor in these episodes
They are still opposite magnets, mostly repelling, but at times they also attract. There is an undeniable shorthand that comes with a lifelong friendship. A friendship that at some point went very wrong. They are both from the same place eons ago, so the weight of that history they share is the bedrock of their relationship.

Can you describe your character ? Tell us how she’s developed since series 8.
Missy is a force of nature. She is a fearless, slightly psychotic killer whom you can't help but like just a little bit. She's very honest in her role as The Master. This is how she sees it - they both kill. The Doctor feels bad about it, she doesn’t. To her the Doctor hides behind his remorse while she thrives in the power to destroy. She has many tools to do this but so far we have seen but a few. Reading minds, hypnosis and moving obstacles just by thinking about it are to name but a few. She doesn't bake much. Well, not in the conventional sense.

Currently the Doctor Who team have a strong Scottish feel with Peter, Steven and yourself as part of the crew. What feedback have you received from your home town?
Go Scotland! When asked recently what does Gallifrey look like, I replied ‘Glasgow’, I'm sure that went down a storm. I think they are very proud. It's a Scottish take over with Peter, Steven and I all from Glasgow. The Weegies will take over the world.

You live in New York and there’s a big Doctor Who following in America - are you recognised when you’re in the US as much as the UK?
I’d say around the same amount. Which is not much at all. Missy and I have a very different dress sense so the fact I'm not wandering around in full Victorian garb means I get to walk around pretty freely.

What do you think Doctor Who means for British drama and its identity overseas?
It’s a product that reaches across the seas and touches people across the world. It ignites their imaginations with brilliant storytelling that all the family can enjoy. There aren’t too many of those shows around anymore, which makes it all the more special.




FILTER: - Doctor Who - Jenna Coleman - Peter Capaldi - Publicity - Series 9/35 - Steven Moffat

Steven Moffat defends BBCBookmark and Share

Wednesday, 15 July 2015 - Reported by Marcus
Doctor Who showrunner Steven Moffat is one of a number of Hollywood stars and TV professionals to write to the British Prime Minister in defence of the BBC.

The Corporation is currently the subject of a review of its scope and purpose in the period leading up to its charter renewal in 2016. The new Conservative government has many Members of Parliament who think the BBC does too much and should reduce in size, concentrating on public service output and ceasing to supply popular entertainment and drama. It's a view held by many of the BBC's commercial rivals.

The BBC is funded by a licence fee of £145 per year, levied on all households owing Televisions, in the United Kingdom. Last week the Corporation was told to take on the cost of supplying free TV Licences to those over 75, a move which will cost it over £500 million.

The government has appointed eight people to work on the renewal of the BBC's royal charter, many of whom have previously called for the licence fee to be cut and to consider charging for website output.

The Director General, Lord Hall on Tuesday defended the BBC saying the government must not meddle with the BBC's creative output and that it is one of this country's most precious assets.

The letter, which is also signed by many stars of stage and screen including David Attenborough, Brian Cox, Richard Curtis, Judi Dench, JK Rowling and Daniel Craig is a statement of support for the Corporation and for its long term future.

We have seen that the Government has pledged to modernise the licence fee, return funding that had been diverted to pay for broadband roll-out, and increase the licence fee in line with inflation in return for the BBC taking on the costs of Licence Fees for the over 75's.

The Government and the BBC are now entering the Charter Review. We are writing to place on record at the very start of the process our concern that nothing should be done to diminish the BBC or turn it into a narrowly focused market-failure broadcaster.

In our view, a diminished BBC would simply mean a diminished Britain. The BBC is a very precious institution. Like all organisations, it has its faults but it is overwhelmingly a creative force for good.

Britain's creative economy is growing and enjoying unprecedented success. The BBC is at the heart of this as the global showcase for our creative industries. The BBC is trusted and loved at home by British audiences and is the envy of the world abroad.

During the course of the Charter, we will continue to make the case for a strong BBC at the centre of British life and will be vocal in making the case for the BBC as it approaches its centenary.




FILTER: - BBC - Steven Moffat

Doctor Who Festival for AustraliaBookmark and Share

Friday, 26 June 2015 - Reported by Chuck Foster
Hot on the heels of the Doctor Who Festival in London comes another for Sydney, Australia:

Doctor Who Festival - Australia, 21-22 November 2015 (Credit: BBC Worldwide)BBC Worldwide Australia & New Zealand is delighted to announce the first ever official Doctor Who Festival in Australia, which will take place in Sydney at the Royal Hall of Industries & the Hordern Pavilion on Saturday 21st & Sunday 22nd November 2015. The Doctor Who Festival will be attended by the Twelfth Doctor, Peter Capaldi and lead writer and executive producer Steven Moffat with more talent announced in due course. Fans of all ages will be able to celebrate the heritage and magic of the show with exclusive access to props, costumes and talent from both in-front-of and behind the camera.

A week after the Doctor Who Festival in London, Australian fans will have the chance to hear from key cast members in a series of onstage talent Q&A’s, with limited photo and autograph opportunities available. A series of interactive workshops with Doctor Who’s resident creative team will give visitors the chance to learn about the television production process and what it takes to be a Doctor Who monster. Fans can also test their knowledge for the chance to win some great prizes in the ultimate Doctor Who Quiz, and get some exclusive Doctor Who merchandise.

This festival is a must-attend for Doctor Who fans, with more exciting announcements to come.

And in a first for New Zealand fans, Peter Capaldi will then head to Auckland, New Zealand on the 24th November for an intimate evening with fans. Venue and ticket details for this will be announced in due course.

Peter Capaldi says:
Being unveiled as Doctor Who in Sydney at last year's world tour, and meeting the fantastic Australian fans was such a cosmic, life changing experience that I'm thrilled to be coming back for a full weekend of Time Lord mania.

The Festival includes:
  • Q&AS -see the writers and cast from the series as they talk about how to make an idea become reality on a series as big and bold as Doctor Who.
  • PHOTO AND AUTOGRAPH OPPORTUNITIES – A limited number of opportunities for photos and autographs with selected talent.
  • WARDROBE DEPARTMENT – a fantastic exhibition of costumes and props.
  • DOCTOR WHO QUIZ –Hosted in a traditional themed setting, fans will have the chance to test their knowledge for the chance to win some great prizes.



Tickets


DAY TICKET PRICES:
  • General $195.00
  • TARDIS $365.00
  • Concession General $99.00
  • Concession TARDIS $265.00
(all tickets are subject to a processing fee of 1.95% + transaction fee)

The general ticket includes one day entry to the festival, access to three separate theatre shows to see the cast and writers, festival lanyard, show planner and all of the above. TARDIS tickets will have all inclusions of a general ticket plus best seats in house for theatre sessions, exclusive access to TARDIS lounge with two free drinks and a Doctor Who goodie bag with merchandise to the value of $110.00.

To sign up for pre-sale tickets, or for further information head to: https://www.doctorwho.tv

Tickets can be purchased at Ticketek
Twitter: #DWFestAu

Pre-sale tickets available from 11am on 1st July
Tickets on general sale from 11am on 6th July




FILTER: - Australia - New Zealand - Peter Capaldi - Special Events - Steven Moffat

Steven Moffat awarded OBEBookmark and Share

Friday, 12 June 2015 - Reported by Harry Ward
Steven Moffat. Image: BBCSteven Moffat, lead writer for Doctor Who and co-creator of Sherlock, has been award an OBE for his services to drama in the Queen's Birthday Honours.

Speaking to the BBC's Lizo Mzimba:
I never thought I would get something like this, I'm astonished and more thrilled than I ever thought someone like me would be. I'm not the least bit cynical, or the least bit trying to be cool about it. I'm just really, really happy.
The full interview is available here.

Rhodri Talfan Davies, Director of BBC Cymru Wales commented on Moffat's honour:
We're thrilled to see Steven's creative brilliance being recognised today.

Not only has he enthralled countless millions of viewers across the world, he has helped rocket-boost the Welsh creative sector, inspiring a new generation of talent here in Wales to make their mark on the global stage.

I'm so delighted to see his remarkable achievements being honoured.

Moffat's predecessor, Russell T Davies, was awarded an OBE in 2008.

Also awarded OBEs for service to drama are Lesley Manville, who played Heather Hartnell in the 50th Anniversary drama An Adventure in Space and Time, and Martin Clunes, whose first television role was as Lon in the fifth Doctor adventure Snakedance.

Lenny Henry, who once played the Doctor in a 1985 spoof of Doctor Who for his comedy show, is being knighted for his services to drama and charity.





FILTER: - Awards/Nominations - People - Steven Moffat

Peter Capaldi to appear at San Diego Comic-ConBookmark and Share

Wednesday, 27 May 2015 - Reported by Chuck Foster
San Diego Comic-Con International (Credit: SDCC)BBC Worldwide have announced that Peter Capaldi will be making his debut appearance at the San Diego Comic-Con. The actor will feature on a Doctor Who panel on the 9th July, alongside co-star Jenna Coleman, Missy/Master actress Michelle Gomez, lead writer Steven Moffat and fellow executive producer Brian Minchin.

Capaldi says of his appearance:
Tales of San Diego Comic-Con are told in awe on every set around the known fantasy/sci-fi production world. It's become a fabled kingdom. One I am thrilled to find myself heading for. And to appear in the legendary Hall H, is a further twist to the cosplay and comic madness I may never recover from.






FILTER: - Conventions - Jenna Coleman - Peter Capaldi - Special Events - Steven Moffat