At the start of isolation I asked Jonathan Macho, the author of the most recent Lucy Wilson book The Serpent’s Tongue, to write a short story about Lucy being stuck at home, and we recieved some very positive feedback.

When Shaun asked me to write ‘Copy/Paste’ as a free download story, I was really grateful for the opportunity to make a small, positive contribution for young readers. When he got back in touch to let me know about the book, I was over the moon. The chance for me to play my part means a great deal, and I really appreciate Candy Jar making my story a part of it.

Around about the same time, Andy Frankham-Allen (the range editor of the Lethbridge-Stewart books) contacted me with an idea to send Lucy back to the 1974 dinosaur invasion. Of course, I thought this was too good of an idea to pass up. I was intrigued by how Lucy would cope knowing she could be infected with the coronavirus, but not wanting to pass it on to the Brigadier, or potentially change the past! So, in collaboration with Tim Gambrell (The Brigadier & the Bledoe Cadets), Andy made a start on the story. After this things just fell into place and we soon had eight stories.

There’s a real sense of shared experience between the writers and the characters, and it feels special and personal to be able to give something back to the NHS in this way. Added to this, the brief was something I could not refuse. Lucy in an empty London during Invasion of the Dinosaurs! My immediate thinking was not to do the Doctor Who story over again. The biggest gap in the TV story, for me, was the lack of consideration for the poor dinosaurs, scooped up from their homes and plonked into London. There was also little appreciation, by the characters on TV, of the sheer beauty and size of the dinosaurs. So those were my starting points. ‘The London Invasion’ came together incredibly quickly after that, within the framing scenes which Andy had developed.

For most of us our daily routine under lockdown is extremely repetitive, so I thought what if Lucy experienced a lockdown day over and over again? I always loved Sapphire and Steel and The Twilight Zone and these series often did stories such as this, so when Shaun approached me about contributing something to the book my imagination was fired.

I really enjoyed working with Adrian on ‘Repetitive Strain’. He is such an imaginative writer and it was a pleasure to collaborate with him on his Groundhog Day-type escapade.

When we asked Paul to contribute a short story he immediately understood the tone we were after and delivered a cracking adventure for all of us who are stuck at home.

When Shaun asked me to write ‘Flower Power’ for this book I leapt at the opportunity, firstly because I can’t think of a better cause than raising money for the NHS and, secondly, I know that lockdown is proving a challenge for many children and adults. Reading is a great way to relax and escape from reality for a time, and with Lucy Wilson by your side you can be sure of so many great adventures along the way.

Last year we previewed Those Kid’s Next Door at our summer pop-up shop and Alan was like a magnet to children. They really loved his energy and couldn’t get enough of his slapstick humour. Aside from this, his books sold really well, so when I needed a safe pair of hands to contribute to this collection he was my first choice.

When we started the Lethbridge-Stewart range Tom wrote two short stories for us: ‘The Fright Before Christmas’ and ‘The Black Eggs of Khufu’. Since then we’ve tried, on many occasions, to get him back, but Tom is always very busy. Thankfully isolation has slowed him down a bit. His story ‘Home Invasion’ really rounds off the collection with its heart on its sleeve, and includes a fantastic tribute to all the nurses, doctors and NHS staff that are helping us get through these difficult times.

I love science fiction and have always been a fan of Doctor Who, but I knew nothing about The Lucy Wilson Mysteries until I worked with Shaun from Candy Jar on my novel Charlie Abroad. Shaun was kind enough to send me the first three or four books and after that I was hooked.

I have always liked writing about strong female characters to try to redress the balance. Lucy Wilson is strong, fearless, resilient and quick-thinking. And Hobo’s no pushover either!” Although only young, like the Brigadier, Lucy Wilson is a valiant hero. There is much more to her than meets the eye!

We’ve been working with Paul on a number of projects recently including something rather special to be released later this year. When we asked him to contribute a short story he immediately understood the tone we were after and delivered a cracking adventure for all of us who are stuck at home.

When Shaun at Candy Jar asked me to work on this story I was honoured. I’ve been enjoying and appreciating the work of some of my favourite writers and other creative professionals while stuck at home, including the team at Doctor Who, so I know how magic an escape right now can be. The chance to contribute something small to that brilliant effort was pretty special.

Shaun already had a lot of great ideas for how to tell the story, including the new menace our heroes have to face, and getting it written was a lot of fun. I took the chance to grapple with my own lockdown demons, some sock related, take a moment to appreciate the marvels of modern technology, and of course salute the people who are working so hard to keep us safe right now, including all of you at home. I hope you enjoy Lucy and Hobo’s new adventure, and thanks to Candy Jar for giving me the opportunity to do my little bit.

When Richard Brewer sent us the message from the Brig we contacted him straight away to ask if we could share it with our readers. Richard agreed and we are pleased to present this long-lost UNIT message to Doctor Who fans.

In these trying times, we all need something to focus on, to keep us all sane. For a lot of people that’s writing. So it’s seems the perfect time to run another competition, give people something to aim for; a chance to write something for potential publication.

This time we’re opting for a theme, something to combat the doom and gloom that threatens to overtake us all at the moment. And that theme is The Perfect Day. The challenge is, what can you do with such a theme? What kind of story does it suggest to you? How would such a story work for our characters (the Brigadier, Anne, Bill, Lucy, Hobo, etc)? And, like in the previous entries, everyone is free to use any original character from both the Lethbridge-Stewart and Lucy Wilson Mysteries ranges, plus our licenced characters. But, and I can’t stress this enough, not characters owned by the BBC or any other creator, without express permission (proof will be required).

Our two previous winners are Sean Alexander and Megan Fizell, and we look forward to publishing their new Lethbridge-Stewart stories very soon (subject to world events, of course).

Submission guidelines for the Lethbridge-Stewart South Wales Short Story Competition:

• Maximum of 3000 words.
• You must include your name in the document, along with the title.
• Word (or Word compatible) files only. We do not accept PDF submissions.
• This competition is open to anybody, whether you’re a fan of Doctor Who and Lethbridge-Stewart or not. We’re looking for stories that utilise any character from the Lethbridge-Stewart and The Lucy Wilson Mysteries range of books (list of Lethbridge-Stewart characters here: http://www.lethbridge-stewart.co.uk/characters/). It is not necessary to fit within the timeline; these stories are out of the canon of the series, so feel free to let your imagination run wild!
• A selection of free short stories will be sent to any applicant on request, should you need to see our characters in action.
• Our license is with the Haisman Literary Estate only, therefore you CAN use any character from the Doctor Who serials The Abominable Snowmen, The Web of Fear and The Dominators, or any original character found Candy Jar Books’ Lethbridge-Stewart and The Lucy Wilson Mysteries series (except characters from Doctor Who that appeared in the ranges under express permission).
• You can NOT use any other Doctor Who characters or monsters. (Unless you have proof of permission from the creator of the chosen monster/character.)
• You can NOT use UNIT or any associated characters.
• Any entries that feature a Doctor Who character not owned by the Haisman Literary Estate (and without express permission) will be instantly disqualified, with no refund.

Jonathan Macno is an exciting new talent from Cardiff. In 2014, at the age of 19, he was a runner-up in our second South Wales Short Story competition and was featured in the accompanying book Breaking the Surface. After that, in 2016, Jonathan wrote the Lethbridge-Stewart short story The Two Brigadiers. This was well-received by our fans, so I contacted him immediately and asked him to write for the Lucy Wilson series.

When I first submitted work to the South Wales Short Story Competition back in 2014, which feels like forever ago, I had no idea all the brilliant opportunities that would follow. Telling a story in Lucy’s world is a privilege I’ve been working towards for a while and it’s thrilling to see the book, my first published novel, come together. The whole thing is surreal in the best possible way. The Serpent’s Tongue is special to me for a lot of reasons. I was given plenty of free reign and support from Shaun and everyone at Candy Jar, so I used the world of Doctor Who to give a platform to that most underrepresented of writers: William Shakespeare.

School kids can struggle with Shakespeare because of the way he’s often dropped on them without context, humour or fun, and that means they miss out on some wonderful worlds. I still remember the first Shakespeare I saw, a brilliant production of A Midsummer Night’s Dream my parents dragged me to that changed my life, no doubt about it. Lucy herself isn’t the Bard’s biggest fan, so this book is me trying to get her on board, and hopefully some of the readers too.

Jonathan Macno is an exciting new talent from Cardiff. In 2014, at the age of 19, he was a runner-up in our second South Wales Short Story competition and was featured in the accompanying book Breaking the Surface. After that, in 2016, Jonathan wrote the Lethbridge-Stewart short story The Two Brigadiers. This was well-received by our fans, so I contacted him immediately and asked him to write for the Lucy Wilson series.

When I first submitted work to the South Wales Short Story Competition back in 2014, which feels like forever ago, I had no idea all the brilliant opportunities that would follow. Telling a story in Lucy’s world is a privilege I’ve been working towards for a while and it’s thrilling to see the book, my first published novel, come together. The whole thing is surreal in the best possible way. The Serpent’s Tongue is special to me for a lot of reasons. I was given plenty of free reign and support from Shaun and everyone at Candy Jar, so I used the world of Doctor Who to give a platform to that most underrepresented of writers: William Shakespeare.

School kids can struggle with Shakespeare because of the way he’s often dropped on them without context, humour or fun, and that means they miss out on some wonderful worlds. I still remember the first Shakespeare I saw, a brilliant production of A Midsummer Night’s Dream my parents dragged me to that changed my life, no doubt about it. Lucy herself isn’t the Bard’s biggest fan, so this book is me trying to get her on board, and hopefully some of the readers too.

Jonathan Macno is an exciting new talent from Cardiff. In 2014, at the age of 19, he was a runner-up in our second South Wales Short Story competition and was featured in the accompanying book Breaking the Surface. After that, in 2016, Jonathan wrote the Lethbridge-Stewart short story The Two Brigadiers. This was well-received by our fans, so I contacted him immediately and asked him to write for the Lucy Wilson series.

When I first submitted work to the South Wales Short Story Competition back in 2014, which feels like forever ago, I had no idea all the brilliant opportunities that would follow. Telling a story in Lucy’s world is a privilege I’ve been working towards for a while and it’s thrilling to see the book, my first published novel, come together. The whole thing is surreal in the best possible way. The Serpent’s Tongue is special to me for a lot of reasons. I was given plenty of free reign and support from Shaun and everyone at Candy Jar, so I used the world of Doctor Who to give a platform to that most underrepresented of writers: William Shakespeare.

School kids can struggle with Shakespeare because of the way he’s often dropped on them without context, humour or fun, and that means they miss out on some wonderful worlds. I still remember the first Shakespeare I saw, a brilliant production of A Midsummer Night’s Dream my parents dragged me to that changed my life, no doubt about it. Lucy herself isn’t the Bard’s biggest fan, so this book is me trying to get her on board, and hopefully some of the readers too.

Bloodlines was always about taking a different look at our own characters, so this was a nice chance to offer up a unique look at the world inhabited by Lucy Wilson and her friend Hobo – only seen through a distorted mirror. The obvious choice for me was Chris – we haven’t actually worked together before, but we spent a lovely day at a convention a couple of years ago and after meeting to discuss the potential of this book, I knew he was the right man for the job. We had much success with our Lethbridge-Stewart/Lucy Wilson crossover project last year, but obviously we don’t want to hit the same beats again. The George Kostinen Mystery is a crossover quite unlike the previous one.

Andy and all the writers who have worked on the Lethbridge Stewart range before me have created such an intricate, well-realised universe that I have to confess I was a little nervous about stepping into it. It's somewhat like being given a very beautiful, very complicated grandfather clock and then being asked to service a number of vital parts using only a butter knife while wearing a blindfold. Thankfully, I've been let loose in my little pocket dimension where I can forget about butter knives and go at this thing with a nuclear-powered chainsaw. It's enormous fun putting Lethbridge-Stewart, George, and all other characters through the ringer, transforming jolly old Blighty into a dystopian nightmare, creating new creatures to scare people with, and revisiting my very first addition to this universe – the Clowns.”

This was a fascinating cover to compose because of the various components and the fact I had the honour of being only the second artist to interpret Lucy Wilson on a cover – the less said about getting her hair style right the better! The Kruge were a lot of fun to draw, and if you look closely you’ll spot the little drawings of their victims faces scratched into their armour.

For the first time ever, an upcoming book, Kklak: the Doctor Who Art of Chris Achilléos, will compile into one volume the entirety of Chris’ artwork for Target. The artwork will be presented chronologically, with accompanying commentary from the artist himself. The book will begin with an exclusive foreword from Achilléos’ long-time friend and collaborator – and the most prolific and popular of all Target’s writers – the late Terrance Dicks.

In many ways, Kklak… is a love letter to the Target range, which was itself a love letter to the Doctor Who fandom. It was Target’s genuine, tangible affection for the universe of Doctor Who that first inspired Candy Jar’s head of publishing, Shaun Russell, to get into the book world. As Shaun explains:
Featuring every one of Achilléos’ Doctor Who designs, as well as never before seen material giving insight into his creative process, Kklak: the Doctor Who Art of Chris Achilléos is released in late spring 2020 by Candy Jar Books.

The same life stuff that got in the way of Loose Ends got in the way of this book. When it became clear I would not have the time to write the novel, I turned to a trusted author, one who understood the main setting of the book, the village of Bledoe.

An Ordinary Man has certainly been no ordinary book. I have enormous respect for Andy; it takes guts to admit all is not well and that you need help with something. When he asked me to write this with him, I did what I'd do for any mate in trouble: I shifted things about in my own life and agreed immediately. Andy had laid the book's groundwork for me. This is still his book at the end of the day. The cornerstones of the plot and the structure had been laid, and the cast assembled. My initial challenge was planning a lot of the bits that went in between – plotting the character journeys from A to B to C. First and foremost, this is a character-led story, not an action-packed adventure. There are characters here I'd not written for before, such as Owain. But I know Bledoe, I've long known its occupants and, because I've always been a reader of the series as well as writing for it, I felt comfortable with Owain.

Unlike a normal Lethbridge-Stewart commission, this one had much more than a shopping list of elements. The story was already laid out, the opening chapters written. Tim had a very specific brief. Once he’s finished his work on it, I shall then take a pass over it myself, tweaking scenes here and there so that it more accurately matches my vision of the story.

What I've enjoyed most about writing An Ordinary Man has been immersing myself in these characters, because they're not quite what we expect them to be. I've loved seeing how far I can push a situation before the characters say 'enough is enough', or ‘okay, you win’. And what really prompts us, as human beings, to take action outside of our comfort zone, or make changes to our lives for anything other than selfish reasons. I've got a wife and a young family, I've got adult responsibilities. And I've done a lot of soul-searching in writing this book. And it's got a cover by Colin Howard. I've not had one of those before, so that's exciting!

I had quite a lot of fun with this cover, despite the original brief. That posed a few challenges. For Lethbridge-Stewart on this occasion it required him to be of the same age as Web of Fear’s colonel, however in this novel he is simply a Cornish School teacher in Bledoe, minus the famous moustache! So, time for screen grabbing Web again, to find a suitable reference of Nick Courtney at that age. Then I had to view elements of Inferno, to find a forehead reference as well as top lip! In order to flesh out my digital painting, I also added a blazer and tie of the type worn by the younger school-teacher Brig in Mawdryn Undead. I then opted for my usual ‘Way too much detail’ background of a Cornish Fishing Village. I sketch these digitally first, then paint over the sketch at around three hundred times magnification on multiple layers to allow for necessary repositioning if required at the cover layout stage. Anne Travers was again a challenge, as Tina Packer spends most of Web playing a supportive sympathetic cast member in two-hander scenes with Patrick Troughton, so therefore is subsequently ‘facially in-shadow’ with most of her scenes in the Unit base. I then had to add more of a 1970s hairstyle and dress, as her character does a little inter-dimensional time-hopping!

I have been desperate to get to do a Yeti-related cover, but things didn’t ever quite work out. So this time I ‘politely insisted’. In this novel I was told that the Great Intelligence’s London invasion is more successful without the Doctor or Lethbridge Stewart to thwart them. I decided to go to town a little with Big Ben swathed in flowing web, and two of our furry friends looming in the foreground of that section. The other element I was originally asked for was the ‘Sphere-crackling with energy’, so that completed my design idea.