Doctor Who: Influential, Robotic!

Sunday, 25 July 2004 - Reported by Shaun Lyon
Broadcast Magazine recently compiled their list of the "Fifty Most Influential Television Programmes in British Broadcasting History" and Doctor Who was on the list. Broadcast magazine said the 50 programmes were chosen because they "pushed television boundaries," and the list includes shows across many diverse genres including entertainment, factual, news and sport. The widely divergent list includes -- besides Doctor Who, of course -- such staples as "Coronation Street," "Not the Nine O'Clock News," "Blue Peter," "Brideshead Revisited," "Spitting Image," "Changing Rooms," "Big Brother" and "Comic Relief". Click here for the BBC News story. Meanwhile, Amazon.com and the Internet Movie Database (IMDB) held a recent poll to find the "world's favorite robot." The Daleks -- yes, those diminutive pepperpots who won't be appearing in the new Doctor Who series -- came in at number 12. R2D2 of "Star Wars" fame was voted number one in the poll which also included such varied responses as Bender ("Futurama"), Gort ("The Day the Earth Stood Still"), Crow T. Robot ("MST3K") and Number Five ("Short Circuit"). (Thanks to everyone who sent these stories in!)




FILTER: - Press

FIRST TARDIS PHOTOS plus more Wednesday pics, set report - updated twice!

Thursday, 22 July 2004 - Reported by Shaun Lyon
We have a big scoop tonight... Outpost Gallifrey brings you the first photographs of the TARDIS used in the new series! Our correspondent William Owen shot the first photo late at night during Wednesday night's film shoot... and managed to get a close-up on the TARDIS beneath a London bus stop sign, below left; it's hazy and the lighting has been upped so you can see it in the dark (and no, we don't know why the one window is a white patch of light!) I've enlarged the TARDIS part of the photo; you can see the enlargement and the original below, left. Update 0420 GMT - two additional photos as well from Roger Anderson of the Cuttings Archive, featuring a distant shot of the TARDIS, in its familiar blue and now featuring the top lid, as well as the TARDIS under construction by production team members a bit earlier in the evening, under the heavy lighting.

Also below: the same shot (but a better range of view - you can see the Ryder moving truck, and the shop windows on the right are those of Howells); a lighting truck on St. Mary's Street outside an "HSBC Bank" building; two shots of a London bus and an OB (outside broadcast) van; and signs to the 'production base' ... which we're told turns out to be at the Cardiff Arms Park car park, as shown by the Gwyn Nicholls gate to the car park.

Update 0300 GMT: Also below in the spoiler tag, another set report courtesy our correspondent John Smith, with details on the Wednesday night filming session. Enjoy! (Thanks to William Owen, Roger Anderson, John Smith)
Tonight's shoot on St. Mary Street, starting just after 11pm, appeared to be endless re-takes of the same brief scene:

Rose leaves "Henriks" dept. store from crosses the street, hurrying but not running, looking nervously behind her. A black cab has to brake to avoid her, and beeps at her. The cab then continues up the street and drives through a puddle. The Puddle is obviously important as it was re-filled for every shot! It's what Rose is carrying that makes the shot interesting; it's the severed arm of a shop mannequin...

Onlookers became so familiar with this scene, that doubtless internet arguments will rage for years over whether they selected the best take!

Techies could be seen working on hinged prosthetic hands of an obviously Auton design. The TARDIS was built in-situ, in plain view, and it was possible for a short while to get right up close. However it was soon covered up and I'm fairly sure that it hadn't been used by the time I left at 3am.

More Monday and Tuesday Photos
July 22, 2004  •  Posted By Shaun Lyon
More photos that were posted to the Outpost Gallifrey Forum on Tuesday, from the first day or two of Cardiff area filming, courtesy users "The Gather" and "Joxer"; click on each for a larger version.
More Cardiff Photos
July 22, 2004  •  Posted By Shaun Lyon
Yet more photos from the Cardiff area, including more shots of the new TARDIS, the Albion Hospital facade, a couch dropping onto one of the London buses, the "Classic Bride" store and the shopping center, the police station, and various production personnel... click on each for a larger version. (Thanks to "Chris L," David Shaw, Mark Keeble, Paul Waddington)
Billie Piper Filming Photo
July 22, 2004  •  Posted By Shaun Lyon
At right (click for a larger version) is a photo that appeared in the July 21 edition of the South Wales Echo accompanying a news story (we reported on it yesterday), which features Billie Piper ("Rose") and another actress in costume and makeup. Says the caption, "Billie Piper, who plays Doctor Who's feisty assistant Rose Taylor [sic], was filming scenes in Howells, Cardiff, last night." The photo is credited to Huw Evans/Wales News. (Thanks to Darren Powis for the clipping!)




FILTER: - Series 1/27 - Filming Reports

Big Finish's Gallifrey II

Thursday, 22 July 2004 - Reported by Shaun Lyon
Big Finish will be releasing a second miniseries of Gallifrey stories next year. Five stories will comprise this second "season" of Gallifrey adventures: "Masques" by Gary Russell, "Spirits" by Stephen Cole, "Pandora" by Justin Richards, "Insurgency" by Steve Lyons and "Imperiatrix" by Stewart Sheargold. Among the actors returning to their roles are Lalla Ward (Romana), Louise Jameson (Leela), John Leeson (K9), Miles Richardson (Braxiatel), Sean Carlsen (Narvin) and Andy Coleman (Torvald). The five plays, directed by Gary Russell, will be released starting in the spring of 2005.




FILTER: - Audio

Wed / Thurs Set Reports

Thursday, 22 July 2004 - Reported by Shaun Lyon
A couple of set reports from both Wednesday evening and today (Thursday) have crossed my desk; they're encased in the spoiler tags below. Interestingly enough there are several reports of a Dalek sighting... but as we've learned, this is more of the "campaign" launched by the Sun newspaper and not part of the production. (Thanks to Antony Wainer, Gregory Jones, Anna Roberts and "Andy")
From Thursday

Filming took place in the city centre again tonight. They were filming scenes in front of the entrance of Queen's Arcade (used as a location on Tuesday night). It was dressed similarly, with the same vehicles around, but this time the location seemed to be dirtied down with many bin bags and other rubbish scattered around. The scenes filmed included a group of extras running away from Autons. There was then a period when they seemed to be fimling closer shots of two Autons in wedding dresses plus other shots around the exterior of the police station (Exhibition pub). This was in the distance so it was hard to make out any details, but at one point there seemed to be a group of Autons surrounding a black London cab. Various small fires were then lit around the area, and a scene of the Autons dying was filmed. This was followed by a scene of a group of dazed extras starrgering though the carnage. During this scene, there may have been stand ins for Billie and Chris, as two extras of similar build and dressed in similar clothes to the costumes we've seen were fairly seperate to the main group of extras.
Anna Roberts

From Wednesday

Arrived on St Mary Street at 5pm and already production staff were busy. Howells department store was changed to 'Henriks' and there was a 'Henriks' Sale sign put up. The windows were being changed. The Police Station set had been up all day, Classic Bride had been taken down. Walked through Queens Arcade and a false window was being put up over a shop doorway. Went back to Howells after late Lunch (Cheese Burger in Toad (Police Station)!) to see Billie Piper! Wow! There were two London Buses, lots of extras and a bus sign. Billie recorded a scene getting off the bus and running into Henriks. Suddenly the Sun pushed a Gold Dalek to the location and was immediately stopped. They took lots of photos of the Dalek on the set. The crowd loved it. Billie ran onto the bus and hid! The Dalek was escorted off. Said hello to Billie who said 'Hiya'. She's lovely. Back to Queens Arcade for 10pm and saw an Auton chase some shoppers. He was wearing a grey suit. Very scary. Talked to the guys who had the Auton hands (four in total, I think).There were some explosions and the crew clapped. Back to St Mary's Street for a window to explode, but the crew stopped for break. Dont know what happened after 11.30pm as Id left. Great day!
Gregory Jones (courtesy Antony Wainer/DWAS)

Drove past the back end of CRI tonight around 6:30 after dropping a mate off in Orbit Street and saw two blokes and half a dalek lurking around the back entrance where all the vans and lorries had been parked over the weekend. My first thought was, "They've been lying to us all along!" but then I realised it was probably some fans just mucking about, at least that's what I hope... For the record the dalek was a normal one as we all remember it, but yellowy / gold with black bumps and it didn't have a top half. Unfortunately I didn't stop for reasons which now escape me, but I can't help wondering who it was.
Andy (aka Sparky)
Another batch courtesy Roger Anderson of the Cuttings Archive; we've selected a handful of the best, but there are a few more on Roger's website that you can check out. Below are photos from Wednesday night / Thursday morning shooting including: photos of the TARDIS base and construction and a hazy one of the "police box" sign; a long shot of Billie Piper actually filming, running across the street; some of the production team; the filming camera; the Queen's Arcade storefront; the "Henrik's" store front; and some, er, props used by the signature aliens in the footage being shot. Enjoy! (Thanks to Roger Anderson)




FILTER: - Series 1/27 - Filming Reports

Tuesday Set Reports, Photos

Wednesday, 21 July 2004 - Reported by Shaun Lyon
For Tuesday's filming in the streets of Cardiff for the new Doctor Who series we have a number of correspondents who were in the area during the day and night as well as lots of photos. The first batch (evening shots) are definitely spoilerphotos that confirm the presence of an old enemy; the second batch are photos from Tuesday daytime including press and photographers at the Howell's store; a London Underground sign (out of place here in Cardiff); more Underground signage; classic roadsters; and a red bus bound for Marble Arch and Victoria (a long way away from London!) (Thanks to Lee Johnson and Leon Hughes for the photos; Anna Roberts, Chris Thomas, John Smith and George Duffield for the set reports.)
Just got back from Cardiff city centre. I stayed for about half an hour from 10 pm on. ... When I was there, they were filming outside the entrance to Queen's Arcade using it as the entrance to a shopping centre. Again, it had been dressed to look like London, with an Underground sign by the entrance. It had also been prettified a bit with a couple of new, small iron lamp posts, but otherwise they didn't seem to have changed any of the shop fronts... There were assorted vehicles about the area, including two red London buses (the Routemaster type - one was route 74 to Putney Heath for those who really like their details), a couple of black cabs, an Evening Standard van, post van, and what seemed to be a small fire engine. Plus a massive crane to light the scene. RTD was in attendance and they were filming a couple of scenes with a female actress, who was wearing blue trackie bottoms with what looked like Adidas stripes, a pink top/jumper and a blue denim jacket. She was also carrying a blue, sequined denim handbag, a mobile phone and a white A4 piece of paper/envelope. The scene consisted of the actress (likely NOT Billie Piper) walking across the road talking on her mobile, while a couple of the vehicles drove past and the best part of a dozen normally dressed extras carrying shopping bags milled about. I could hear most of the dialogue, and following a line about where are you, she was talking to somebody she referred to as darling (boyfriend). As best I can remember the dialogue it was "I can't hear you, the signals breaking up. I'm just going to do some late night shopping." Gripping, huh? A second scene was quickly rehearsed where the same actress ran back out of the shopping centre followed by a tightly packed group of the same extras marching oddly. I have a suspicion that this might have been put on for the benefit of the audience though as the crew then broke for a meal without filming it. Hope that keeps your appetites whetted.
Anna Roberts

Just to give some extra info on last nights Cardiff shoot. On speaking to some of the film crew, four stuntmen were on hand as pyrotechnics were planned. A London bus was being organised to slide down the street, with many of the cars on either side set to explode. This was all set to take place around midnight.
Chris Thomas

I saw five bald headed masks (with splits up the back) being delivered at 10.00pm by a woman and a man in a white van. The Evening Standard hoarding said 'Proper Rigmarole' as its headline. A local trainer shop, on Working Street was turned into 'Classic Brides' at 6.00pm (I watched). A taxi was due to drive into a false window later that night. I left at midnight. The false window covered the doorway. Various rehearsals for a skidding taxi and bus (9.30pm approx). When Billie ran out of Howells (Henrika's in the story) she snatched a clear A4 wallet from a security guard. Various plant pots were placed outsside the fake tube station.
George Duffield

There was a shoe shop on Working Street; it was filled with an artificial shopfront and now it's called "Classic Bride" -- a bridal wear dealer. The windows had mannequins in them; the fake doors didn't even open, and I think only external filming would take place. The London bus-stop sign, the fake one, that appears in one of your photos was right next to the shop, and from the lack of further dressing I would assume that it was only used to evoke a sense of place in one external shot, probably from quite a high angle. The Exhibition pub (one half of the old library building), directly opposite, became a police station, with two hanging POLICE signs, and a billboard filled with public information/awareness literature. Elsewhere in the street were warning signs for the London "congestion charge zone" - a traffic toll recently imposed on drivers in central London, so it can be assumed that at least some scenes were set in the heart of the city, and in the present day or thereabouts. The entrance to Queen's Arcade (the curved stairway shown in the preview shots on your website) became a London Underground station, complete with the fake sign another of the photos shows, and a vendor stand for the "London Evening Standard" (a real newspaper), bearing the headline "Proper Rigmarole" - dunno if that's an exclusively British term? Just in case, my best international translation would be "Big Fuss, Probably Over Nothing".




FILTER: - Series 1/27 - Filming Reports

Wednesday Press Coverage

Wednesday, 21 July 2004 - Reported by Shaun Lyon
Articles on BBC NewsDigital Spy and ICWales have appeared, basically just rehashes of what happened in the BBC Wales Today interviews yesterday. The South Wales Echo today stated something, however, about the actual production: "The Echo can reveal that Christopher Eccleston, who plays the new Doctor, will not be at this week's shoot, although his new feisty assistant, Rose Taylor, played by Billie Piper, will be filming in Cardiff." Perhaps he'll be turning up later... Also, the official Doctor Who site has a second WhoSpy picture up, of the camera used in production! (Thanks to Steve Tribe, Paul Engelberg)




FILTER: - Press

DWM Details

Wednesday, 21 July 2004 - Reported by Shaun Lyon
The newest issue of Doctor Who Magazine has now begun circulating and there are several pieces of information (spoiler tagged, below) in the issue. Of course, you can read all the details in the latest issue, #346, on sale Thursday July 22.
Producer Russell T. Davies says he won't be releasing any further episode titles until transmission of the show, but episode 7 has the working title "The Long Game". He describes Rob Shearman's script as "thrilling, brutal, and epic" and says that they've chosen a new logo (but it's not seen) and that there will be a "proper title sequence".

Director Keith Boak's "block" consists of episodes 1, 4 and 5 -- which means they're shooting "Rose" and "Aliens of London" as one package. He is quoted in DWM as saying that the new series is "powerful, it's emotive, it's sh*t scary, it's chilling, it's fun, it's warm and it's adventurous. All those things pulled together.....all Ican hope is that it will be completely different to anything anyone's ever seen on TV before."

Among the new names are Neill Gorton, who is in charge of special make-up and prosthetics (he's worked on "Tomb Raider," "The League of Extraordinary Gentlemen" and "Red Dwarf") and Mike Tucker, writer and visual effects artist, who is handling models and miniatures. So far he's the only direct link on the production team with the old show.

The issue also confirms the writers for the upcoming hardcover Doctor Who new series books: "The Deadly Game" is by Jacqueline Rayner, "The Clockwise Man" is by Justin Richards, and "The Monsters Inside" is by Stephen Cole.

The issue also confirms the details about MillTV doing the effects, which was revealed by MillTV earlier this week.




FILTER: - Magazines - DWM

It's Mickey!

Wednesday, 21 July 2004 - Reported by Shaun Lyon
Deep within the BBC's own charter is some information about minority actors in BBC productions... and features information about a character named Mickey in the new series. Click on the spoiler details for the brief, but interesting, information. (Thanks to "Stower")
Dr Who, a major event for the BBC in 2005, will also reflect multi-cultural life in the 21st Century.

The casting of Mickey, the hapless, long-suffering boyfriend of Rose, the DoctorÆs assistant, provides a major role for an actor from an ethnic minority background.




FILTER: - Production

Wednesday Photos, Press, Set Report

Wednesday, 21 July 2004 - Reported by Shaun Lyon
We have three items here; first, a set report by David Shaw (in the spoiler tags as usual), as well as a collection of new photos from Wednesday night's evening filming session courtesy Leon Hughes, below; the first of these photos (the one that appears red in the thumbnail) is a spoiler image so be warned (it's explained in the spoiler tag!)

The Sun has also run an article today entitled "Time Travelling for Dummies" which features spoilers and therefore is in the spoiler tag. (Thanks to Leon Hughes, David Shaw, Steve Tribe)
SPOILER PHOTO ABOVE: The first photo... recognize it? It's an Auton hand weapon. Obviously the production team are giving fans a real treat in the new series!

The Sun report: Today's The Sun spoils the Autons for the general public. "DR WHO faces an old foe when he returns to TV - marauding mannequins called the Autons," the article says. "They terrify the time traveller's helper, played by Billie Piper, when they spring to life as she shops. She finds herself at the centre of the action in the show's first new series for 15 years. Billie, who plays Rose Tyler, completed her first day's filming in Cardiff alongside new Doctor Christopher Eccleston yesterday. The Autons' last adversary was Jon Pertwee 33 years ago."

Tuesday Set Report:

The Autons are back! After reading the tip-offs on Outpost Gallifrey (thanks), I travelled the 150 miles to Cardiff yesterday (Tues 20th July) with my 6-year-old daughter, Emma, in the hope of experiencing a bit of the magic of Dr WhoÆs return. We found the Working Street/St. John Street location quite easily, and wandered past the production team vans at 5.30pm. Emma was delighted to spot a familiar group of shop-dummy props in the back of one of the trucks, clearly indicating the return of the Autons! The street was then dressed to resemble 1950s(?) London; props were positioned: a red telephone box, Underground sign, red post box, London bus stop, gaslamps, two industrial metal dustbins and an Evening Standard headline display announcing ôProper rigmaroleö (? la Web Of Fear). The sign of the ôSneakersö sports shoe shop was removed and replaced with a fictional ôClassic Brideö pink shopfront. Wedding gowns arrived for the dummies as well as ôC.B.ö logo stickers for the shop windows. We were excited to realise that it would be the scene of an Auton breakout, as glaziers arrived to fit temporary glass windows! The exterior of the Toad @ The Exhibition pub was transformed into a police station, with new signs, an information board and a blue ôpoliceö lamp. We had followed two traditional 1950s-style London buses from the motorway into Cardiff earlier in the afternoon and were amazed to see them turn up in the Dr. Who street. In fact there was a range of vehicles: fire engine, Royal Mail lorry, Evening Standard van, two black London taxis and the two buses. We tried to keep out of the way and were allowed to wander up and down the street until after 8pm. A few of the workers spoke to us in a friendly manner, and no-one asked us to move away. As darkness fell, the area was closed off by the Police with ôdo not crossö tape, and some extras dressed as firemen arrived. We heard a few rehearsals and shouts of ôQuiet Please!ö as some minor schenes were filmed. Since it was now 9.30 pm and it seemed likely that the main filming would not take place until the middle of the night, we left. We returned at 5am this morning, however, as dawn was breaking to find the clear-up in full swing. Significantly, there was shattered glass all over the pavement in front of the ôClassic Brideö shop, and we watched as the props were systematically removed (all the vehicles had already gone). The Auton shop dummies were piled up in the street and then all props were put back into the trucks. Emma had a fantastic time - Dr Who is definitely back!
David Shaw




FILTER: - Series 1/27 - Filming Reports - Press

Series Effects Group Confirmed

Tuesday, 20 July 2004 - Reported by Shaun Lyon
The special effects company MillTV will be handling the visual effects for the new Doctor Who series, the team announced on its website today. The following is MillTV's statement about the confirmation of their work:
MillTv, longform arm of Europe's only Oscar-winning visual effects company, The Mill, has been confirmed by the BBC as the contractor for visual effects on the 2005 series of Dr Who. MillTv will provide high-end visual effects and graphics for all 13x45-minute episodes for BBC1.

"It's a privilege - and a responsibility - to be asked to work on such an iconic project," says Dave Throssell, head of MillTv. "It will be a tough job because it will demand feature film effects on a TV schedule."

MillTv understands it has to create effects capable of bedazzling a demanding generation with high-expectations stemming from the sophistication of films like The Matrix and Lord of the Rings:

"Effects that were seen as ground-breaking when Dr Who first aired obviously won't cut it with today's audience," says Throssell. "But thanks to a pedigree that includes the Oscar-winning effects produced by The Mill for Ridley Scott's Gladiator, we have a proven track record of creating seminal effects and graphics. MillTv is more than capable of delivering the high-standards necessary to update Dr Who."

MillTv has developed a strong relationship with Dr Who producer, Phil Collinson. Throssell and Collinson recently completed another effects-driven primetime BBC drama in February called Sea of Souls. Other 2004 MillTv projects include First Olympians (BBC, July 04), D-Day (BBC June 04), Dragons Alive (BBC, March 04), The Nile (BBC, February 04) and Men of Iron (Channel 4, February 04).




FILTER: - Production - Series 1/27