Doctor Who û What's he doing with Anne Robinson and Trinny and Susannah? asks the cover of the new
Radio Times, published today (Tuesday). As always, this weekend's episode features in "RT recommendsà the week's best television" (page 4): "There's plenty of fun poked at TV, including Jack getting a What Not to Wear makeover from a robotic version of Trinny and Susannah." The weekly "Doctor Who Watch" is a double-page spread entitled "Reality can be a killer" (pages 16û17), with five photos from
Bad Wolf, the next new series episode, that concentrate on Captain Jack and the various TV show parodies in the episode. The article itself comprises another interview with Russell T Davies, looking at his vision of reality television in 200,000 years from now and how the show has secured the rights to use authentic sets and logos from Big Brother, The Weakest Link and other programmes, as well as the guest contributions of the likes of Anne Robinson: "The new Doctor Who series has a pretty good record in guest names [à] Not one C-lister among them." Davies comments that "There is something about Doctor Who that opens doors," referring both to guest stars and to the availability of various locations, some of which have previously refused other television programmes. He is also asked whether he has included any Simpsons-style lines about Anne Robinson: "No, there's nothing quite like that. Although the fact that she is killing off the contestants is a bit of a comment." This week's films on television are detailed from page 47, this week including Shaun of the Dead on Sky One (starring new series stars Simon Pegg and Penelope Wilton alongside the Daily Mail's Ninth Doctor, Bill Nighy) and Carry On Sergeant with William Hartnell on Channel 4. "Bad Wolf" is Pick of the Day in "Saturday's Choices" (page 64), a photograph of the Doctor with the Game Station Controller accompanying a write-up that again focuses on Anne Robinson and comments that "there's a corker of a cliffhanger as the most deadly enemy of all marshals its forces." There's another Eccleston photo at the head of Saturday night's listings (page 66), the episode listing reading, "The entire human race has been blinded to a threat on its doorstep. With Armageddon fast approaching, the Doctor must act immediately. The star-studded episode û and series û concludes next Saturday." The listing also promotes the first two DVD volumes and the three new novels, as well as an appearance by Christopher Eccleston's on BBC2's Top Gear at 8pm on Sunday evening. The listing for Doctor Who Confidential says "As the series prepares for its climax next week, has the Doctor got what it takes to prevail in his showdown with the ultimate foe? As well as Christopher Eccleston and Billie Piper, there are contributions from Russell T Davies and Noel Clarke, who plays Mickey." The Radio section (page 121) includes comment from David Tennant on his role in Dixon of Dock Green next Wednesday morning on Radio 4. Also of note in the television listings: BBC3's Saturday midnight repeat of "Bad Wolf" will this week be at 10.55pm, with a second showing for Confidential immediately afterwards; while the Sunday showings are as usual at 7pm and 7.45pm, there is also a third repeat for the episode on BBC3 on Friday 17 June at 9pm, with another outing for Sunday's Confidential Cut Down edition following at 9.45pm, in preparation for Episode 13 on Saturday 18 Juneà
The official BBC Doctor Who
website has been updated with a theme previewing "Bad Wolf". There may be a few spoilers present, as usual. (Also, note that the 'bison' password no longer works to access the
whoisdoctorwho website there.)
Heat magazine says of "Bad Wolf," "Conclusive evidence that Doctor Who fan, chief writer and exec producer Russell T Davies is quite rightly behaving like a sweet-toothed kid in the world's best candy shop, comes with this two-part story that ends the first series. ... If you have hairs on the back of your neck, prepare for them to stand erect." The article (which has spoilers, removed from this report) gives the episode 5 out of 5 stars. Also, the
Daily Telegraphsays of the episode, "Bad wolf is, ultimately, proof that the writers of Dr Who have really thought about what they are doing; have worked to give a real, satisfying and complex shape to Saturday-night schlock. They're ambitious. As Clive James once remarked: good schlock is always better than bad art. The new Dr Who - ahead of any possible expectations - is a triumph. Funny, scary, moving, silly and above all really, really well crafted, it is as good a piece of popular entertainment as television has lately produced. It serves - and for this we must surely thank it - as a standing rebuke to the notion that the unplanned formats of reality TV and docudrama are the way forward." And says today's
Media Guardian, "Close watchers of Doctor Who will have noticed the numerous unexplained references to "Bad Wolf" - sprayed on the side of the Tardis, that kind of thing. The web is abuzz with what it all means. One theory - spoiler alert! - is that the Doctor has been the unwitting star of a Big Brother-style reality show. Is nothing sacred? No word yet, though, on whether the climactic episode features the scariest Doctor Who monster yet - the Bazalgette." Also, about last week's episode, says the
Herald, "BBC Wales is having some fun with Doctor Who. ... All of a sudden, it's alive, and telepathic to boot. Stare into its heart and you cease instantly to be a satirical symbol of New Labour. It could only happen in science-fiction."
David Tennant has picked up the Best Actor Award at the Critics Awards for Theatre in a Scotland ceremony. Tennant was honoured for his outstanding performance as Jimmy Porter in the revival by the Royal Lyceum Theatre Company, Edinburgh, of John Osborne's Look Back in Anger. Accepting the honour from Vicky Featherstone, the new National Theatre of Scotland artistic director, the actor said his remarkable rise in film and television did not mean he would be abandoning the stage. He said: "I'm supremely chuffed to win this award. It's a part I've wanted to play for such a long time. Theatre work is part of what I do and I don't see it as something you leave behind." The story has been covered at
Times Online,
Scotsman,
Daily Record,
Dundee Courier,
The Herald,
icNews.
Christopher Eccleston will appear on this Sunday's "Top Gear," June 12 at 8.00pm on BBC2, in their "Star in a Reasonably Priced Car" feature, where celebrities do one circuit of a track in as fast a time as possible in a Suzuki Liana.
SFX Magazine has an online treat: the first
visualization of the
TARDIS interior (requires QuickTime to view)! "Travel with us, readers, back through the mists of time, to the Spring of 2004, long before filming started on the new series of Doctor Who. Acclaimed comics artist and chum of SFX Bryan Hitch was desperate to work on the series. When he told us as much, we put him touch with Russell T Davies - who turned out to be a huge fan of Bryan's work. A few weeks later, contracts were signed, and Bryan was the concept artist for the series. Hurray! But before Bryan even had any meetings with the BBC, he'd already started sketching out his ideas for the TARDIS interior. Bryan recalls his thinking as follows: 'The simple up front determination was that it needed to be big. Huge. From the earliest sketch I did, before I was even offered a job of the series, I was going for the big dome shape. The central section changed as we went and adapted to comments and requirements and we were constantly reworking it in the finish. My friend Niel Bushnell, who has a vibrant young graphic and CG company up North, kindly rendered an animated 3D turnaround of that initial thought, which I took along to my first meeting. It helped show the space as it could be used, and even though it underwent massive changes as we went through months of work, that basic idea remained intact.'" You can visit the website and see the visualization for yourself.
Meanwhile, the latest issue of SFX contains a ten-page feature on the new Doctor Who series, which includes an interview with Executive Producer Russell T. Davies, who is already making plans for Series 2, and is determined to hold onto the Saturday night audience that have made the series a weekend ratings hit for the BBC: "I can't yet see us doing a hard sci-fi episode. The essence of [an early Saturday slot] is to keep it simple. Which doesn't mean dumb. Look at [æDalek'] û it's completely pure and simple, and because of that, massively strong, and then underneath that simplicity is a whole storm of complex emotions and ideas. But the important thing on Saturdays is to shout the headline. Dalek! Dickens! Blitz! Big Brother! A headline shouting 'Interesting Exploration of Temporal Physics!' isn't gonna work the same way. We need to hold on to that new audience and not take them for granted. Let's face it, if [Terrestrial TV broadcaster ITV] introduce a Saturday [episode of the popular soap, Coronation Street], and that's not such a mad idea, then were in trouble. So we've got to keep it strong and clean, emphasise the drama above the sci-fi. Feel free to disagree, of course. Feel free to disagree and yet get these viewing figures, ha ha! Expect the 'same old mix' of stories for Series 2, 'some darker, some lighter. Some traditional û although if anything, the traditional stories are BBC Drama's least favourite, but I love them, so I'm gonna keep them in there. We're keeping the same mix of singles and two-parters, that seems to work.' To be blunt, this show is a success, and it's our job to maintain that success, not wander away from it. Fans might study each episode 20 times, and therefore demand something different, but ordinary viewers are still getting used to this concept û not just the show, but its slot, its feel, its place in their viewing habits û and there is a genuine strength in consolidating that...[there's one story in Series 2] that could be pure horror....and there's one episode which could be very, very funny. And a brand new Doctor will automatically make it a brand new show." Speaking of the new Doctor, "[David Tennant] can do anything! And he will! This is the wonderful legacy of Chris Ecclestion, he's made the part available for and desirable to our finest actors....the clothes [for the new Doc] will be different, because it'll be David's preferences." Thanks to
The Great Link website for posting the quotes; you can pick up the issue on the stands now.
BBC1's
Points of View this past weekend featured a short piece about the new series, including a couple of letters praising the show, especially Chris Eccleston's portrayal, and a couple of letters complaining about the level of scariness (in particular, "The Empty Child"), and also complaining about the imminent departure of both the leads. This was followed by a short interview with Julie Gardner, featuring clips from "Dalek," "The Empty Child" and "The Doctor Dances". Gardner defended the show against the usual complaints of too much violence, stressing that they were always careful not to show gratuitous violence or too much blood, especially bearing in mind the 9.00pm watershed. She also said that the Moffat two-parter would be about as far as they would be prepared to go in terms of scariness. Gardner was coy on the subject of Billie Piper's departure, saying only that she was coming back for season two, and stressing that there were exciting storylines still left to tie up season one (including a few spoilers we won't reprint for the final episode.) Points of View host Terry Wogan ended the piece by mentioning the Christmas special.
The
JoongAng Daily of South Korea writes "Sci-fi reigns at the Queen's birthday ball," noting that the celebration of Queen Elizabeth II's birthday at the Grand Hyatt Hotel in Seoul last Saturday featured a TARDIS, which served as an entrance to the ballroom, a six-foot-tall "Dalek" and black-and-white footage of the series... all to celebrate the start of the new series in that country. Sue Hollands, the president of the British Association of Seoul, said in her opening address that Doctor Who was not only "quintessentially British" but also "familiar to expatriates." Dai Billington, the first secretary and head of the commercial section of the British Embassy, the evening's master of ceremonies, appeared on stage the Doctor himself, complete with wig and costume, saying he remembered as a four-year-old child being scared by the Daleks. Read the full story for further details.
Several news sources are now (finally) reporting on the return to the series next year of another famous group of Doctor Who monsters... the Cybermen. The
Sun quotes Doctor Who Magazine, which in turn quotes producer Phil Collinson: "The Cybermen exist in that category of classics, as monsters just about everyone of a certain age knows. They were a work of genius back in the 1960s. It will be a loving recreation [sic] of an old foe." Among the online locations mentioning it are
Female First,
Contact Music. (Note: we can't keep this a spoiler/surprise any longer, considering DWM printed it as a major news story and it's now making the rounds in all the media, as well as other websites)
In Germany, the
TV and Film Festival Cologne will include screenings of two episodes of the new series, likely "Rose" and "The End of the World". The festival will be held from June 30 to July 6; more information is available at their
website.
The
Sun yesterday stated in the parliamentary gossip column The Whip that its Westminster mole was near Lambeth Bridge in London "and bumped into about half a dozen of those classic, evil Doctor Who villains the Daleks. The police blocked off the road so the little fellows could be filmed in peace". No word on what the filming was for.
Other items:
I'm Sorry I Haven't A Clue (Radio 4, 6th June) featured a brief "Doctor Who" sketch involving the Daleks and computers, revolving around the proverb "An apple a day keeps the Doctor away";
BBC News,
CBBC,
Police.uk all cover the theft of a Dalek stolen from storage near Wookey Hole, which had been stored in preparation for a forthcoming convention; and the
Western Mail talks about the appearance of the newspaper in "Boom Town" last weekend.
(Thanks to Steve Tribe, Paul Engelberg, Chuck Foster, Jamie Austin, Peter Weaver, John Bowman, Andrew Norris, Cameron Yarde Jnr, Andrew Frueh, Harald Gehlen, David Traynier, Paul Blewett, Kendal Mills, Stephen Dray, Steve Manfred, Matthew Kilburn, Chris Howell/The Great Link and Ian Berriman/SFX)